Young Writers Quotes
The best sayings about Young Writers that you can share on Instagram, Pinterest, Facebook and other social networks!
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I think I would have been a lot more miserable and discovered a lot less of things I liked if I hadn't had LiveJournal in high school. I think it's interesting how blogging seems to be shaping a new generation of writers. I feel like growing up with the Internet/blogging/other structures seems to be a reason for the similarities people see in Tao Lin's writing and other young writers, rather than direct.
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I am not and will never again be a young writer, a young homeowner, a young teacher. I was never a young wife. The only thing I could do now for which my youth would be a truly notable feature would be to die. If I died now, I'd die young. Everything else, I'm doing middle-aged.
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In my travels I am often asked if college stifles young writers. In my opinion, it doesn't stifle them enough.
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As a young writer, I was on guard against the Latina in me, the Spanish in me because as far as I could see the models that were presented to me did not include my world. In fact, 'I was told by one teacher in college that one could only write poetry in the language in which one first said Mother. That left me out of American literature, for sure.
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My advice to young writers would be to write every day, even if it is only a few words. Get yourself on the habit of writing and it will become a lifelong one. And find a place to write where you are physically comfortable. You can't concentrate if you aren't. Ernest Hemingway could only write standing up, and Truman Capote could only write lying down!
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I don't think poetry is something that can be taught. We can encourage young writers, but what you can't teach them is the very essence of poetry.
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If I had a script that I was ready to shoot tomorrow, I'd work on it every day until we got into production as soon as possible, but I don't have that script yet, so I'm trying to find and support writers, really young writers and hopefully come across a story that I wanna tell one day.
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A young musician plays scales in his room and only bores his family. A beginning writer, on the other hand, sometimes has the misfortune of getting into print.
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Young writers should be encouraged to write, and discouraged from thinking they are writers. If they arrive at college with literary ambitions, they should be told that everything they have done since their first childhood poems, printed in the school paper, has been preparation for entering a long, long apprenticeship.
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Elizabeth Searle writes with intelligence, passion and wit. She's one of the best young writers around.
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So if I were talking to a young writer, I would recommend the cultivation of extreme indifference to both praise and blame because praise will lead you to vanity, and blame will lead you to self-pity, and both are bad for writers.
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I kind of wish people didn’t know who I am, that I could just lie, say I’m a speechwriter for Obama. This is what I said before Twilight. And then Obama came along and picked up all these young writers. I found out this guy, Jon Favreau — who’s not the actor Jon Favreau — is writing for him. And I was like, Wow, I wonder if the people who thought I was bullshitting at the time are like, ‘Oh my god. That guy! That kid who was drunk in some bar actually wrote the health care bill!’
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I think the most dangerous influence for a young writer is to be treated with cynicism or discouragement.
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Don't be pretentious is my first advice to young writers. This is the big problem - just because you're getting an MFA doesn't mean you have to write for the Academy. Be true to your personality. Don't temper your personality down with words. Don't build defensive fortresses around yourself with words - words are your friends.
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The good writing of any age has always been the product of someone's neurosis.
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When people ask, "Is there any advice you'd give a young writer?," I say write short stories. They afford lots of failure. Pastiche is a great way to start.
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I guess the important thing for young writers is to read.
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The young writer should learn to spot them: words that at first glance seem freighted with delicious meaning, but that soon burst in the air, leaving nothing but a memory of bright sound.
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If you have any young friends who aspire to become writers, the second-greatest favor you can do them is to present them with copies of The Elements of Style. The first-greatest, of course, is to shoot them now, while they're happy.
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Let the writer take up surgery or bricklaying if he is interested in technique. There is no mechanical way to get the writing done, no shortcut. The young writer would be a fool to follow a theory. Teach yourself by your own mistakes; people learn only by error. The good artist believes that nobody is good enough to give him advice. He has supreme vanity. No matter how much he admires the old writer, he wants to beat him.
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If I had to give young writers advice, I would say don't listen to writers talking about writing or themselves.
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The biggest pitfall to avoid is not writing. Not writing is really, really easy to do, especially if you're a young writer. The hope that elves will come in the night and finish it for you, is a very common one to have. That is my main recommendation - you have to write, and you have to finish what you write and beyond that, it's all detail.
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That's my gutsy advice to any young writer: write only about what you know well.
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A lot of young writers wait for inspiration. The inspiration only hits you at the desk.
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The writer learns to write, in the last resort, only by writing. He must get words onto paper even if he is dissatisfied with them. A young writer must cross many psychological barriers to acquire confidence in his capacity to produce good work-especially his first full-length book-and he cannot do this by staring at a piece of blank paper, searching for the perfect sentence.
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There are so many talented young writers named Jonathan, with whom by comparison I suffer terribly.
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And so, when I was a young writer I always worked hard on imagery, and I knew that the roots of imagery were the senses - and that if my readers could feel, taste and see what I was talking about, I would be able to tell them a story.
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I also liked it when professors assigned us stories that they love. In general, I liked workshops more when they were more than just a workshop, when the professor took the time to actually guide us as young writers and teach us things it took them a long time to figure out on their own. I could probably write ten pages on this question.
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Young writers if they are to mature require a period of between three and seven years in which to live down their promise. Promise is like the mediaeval hangman who after settling the noose, pushed his victim off the platform and jumped on his back, his weight acting a drop while his jockeying arms prevented the unfortunate from loosening the rope. When he judged him dead he dropped to the ground.
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What the young writer is looking for is not a critic who will slap him on the back and say, 'Greatest thing since O. Henry,' but rather the one who will toss the manuscript down in disgust, with 'You know better than that! It's rotten! Do it all over again!'
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Top Authors
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Richard von Weizsaecker Former President of Germany -
Robert Ardrey Playwright
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Robert A. Dahl Political scientist -
Ricky Hatton Professional Boxer -
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Robert Lanza Scientist -
Robert B. Weide Screenwriter -
Robert Long Singer -
Robert Klein Stand-up comedian -
Robert Falls Theater Director -
Robert Barclay Writer
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