Tennessee Williams Quotes About Writing
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There is no pleasure in the world like writing well and going fast. It's like nothing else. It's like a love affair, it goes on and on, and doesn't end in marriage. It's all courtship.
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And it was about then, about that time, that I began to find life unsatisfactory as an explanation of itself and was forced to adopt the method of the artist of not explaining but putting the blocks together in some other way that seems more significant to him. Which is a rather fancy way of saying I started writing.
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When I stop working the rest of the day is posthumous. I'm only really alive when I'm writing.
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I don't have an audience in mind when I write. I'm writing mainly for myself. After a long devotion to playwriting I have a good inner ear. I know pretty well how a thing is going to sound on the stage, and how it will play. I write to satisfy this inner ear and its perceptions. That's the audience I write for.
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There is no pleasure in the world like writing well and going fast.
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I cannot write any sort of story unless there is at least one character in it for whom I have physical desire.
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Why did I write? Because I found life unsatisfactory.
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When I write I don't aim to shock people, and I'm surprised when I do. But I don't think that anything that occurs in life should be omitted from art, though the artist should present it in a fashion that is artistic and not ugly. I set out to tell the truth. And sometimes the truth is shocking.
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I wrote because I had to. I couldn't stop. There wasn't anything else I could do. If no one ever bought anything, anything I ever did, I'd still be writing. It's beyond a compulsion.
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I think no more than a week after I started writing I ran into the first block. It's hard to describe it in a way that will be understandable to anyone who is not a neurotic.
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I'm only really alive when I'm writing.
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It's to a writer's advantage to contain within himself elements of each sex, or any sex. It's to his advantage because it makes him able to write from the female point of view as well as the male. In some cases, of course, you will find some homosexual writers who can only write from a f - - -'s point of view. But I don't regard myself as a f - - -! Some people may. Also audiences wanted escapism. They don't like too much protest or criticism of their way of life.
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William Saroyan wrote a great play on this theme, that purity of heart is the one success worth having. "In the time of your life--live!" That time is short and it doesn't return again. It is slipping away while I write this and while you read it, and the monosyllable of the clock is Loss, loss, loss, unless you devote your heart to its opposition.
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If the writing is honest it cannot be separated from the man who wrote it.
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I try to work every day because you have no refuge but writing. When you're going through a period of unhappiness, a broken love affair, the death of someone you love, or some other disorder in your life, then you have no refuge but writing.
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I can't expose a human weakness on the stage unless I know it through having it myself.
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I talk out the lines as I write them.
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My '60s plays were as good as most of the other plays I've written ... except I wasn't in a condition to refine them, to help in the rehearsal, or do anything. I was hardly conscious of what was going on except during the hours of the day when I was actually writing ... and that was with the aid of speed.
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It's hard enough for me to write what I want to write without me trying to write what you say they want me to write which I don't want to write.
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The work of a writer, his continuing work, depends for breath of life on a certain privacy of heart.
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I believe the way to write a good play is to convince yourself it is easy to do, then go ahead and do it with ease.
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My greatest affliction... is perhaps the major theme of my writings, the affliction of loneliness that follows me like a shadow, a very ponderous shadow too heavy to drag after me all of my days and nights.
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For a creative person there's just as much pleasure in writing an eight-line poem as there is in writing a blockbuster play ... of the old '50s type.
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What shouldn't you do if you're a young playwright? Don't bore the audience! I mean, even if you have to resort to totally arbitrary killing on stage, or pointless gunfire, at least it'll catch their attention and keep them awake. Just keep the thing going any way you can.
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At the age of fourteen I discovered writing as an escape from a world of reality in which I felt acutely uncomfortable.
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