Nathaniel Hawthorne Quotes About Writing

We have collected for you the TOP of Nathaniel Hawthorne's best quotes about Writing! Here are collected all the quotes about Writing starting from the birthday of the Novelist – July 4, 1804! We hope you will be inspired to new achievements with our constantly updated collection of quotes. At the moment, this page contains 10 sayings of Nathaniel Hawthorne about Writing. We will be happy if you share our collection of quotes with your friends on social networks!
  • Words - so innocent and powerless as they are, as standing in a dictionary, how potent for good and evil they become in the hands of one who knows how to combine them.

    1847; quoted by propagandist and language maven William Safire, New York Times Magazine, 13 December 1998.
  • In youth men are apt to write more wisely than they really know or feel; and the remainder of life may be not idly spent in realizing and convincing themselves of the wisdom which they uttered long ago.

    Men  
    Nathaniel Hawthorne (1872). “The Snow-image, and Other Twice-told Tales”, p.10
  • No author, without a trial, can conceive of the difficulty of writing a romance about a country where there is no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight, as is happily the case with my dear native land.

    Nathaniel Hawthorne (1983). “Novels”, p.854, Library of America
  • Easy reading is damn hard writing.

  • The greatest possible mint of style is to make the words absolutely disappear into the thought.

  • Writing can come naturally to some. Still, when it comes to good writing, this is true: Easy reading is damn hard writing.

  • If a man, sitting all alone, cannot dream strange things, and make them look like truth, he need never try to write romances.

    Men  
    The Scarlet Letter "The Custom-House" (1850)
  • The only sensible ends of literature are, first, the pleasurable toil of writing; second, the gratification of one's family and friends; and lastly, the solid cash.

    Nathaniel Hawthorne (1965). “The house of the seven gables”
  • When a writer calls his work a Romance, it need hardly be observed that he wishes to claim a certain latitude, both as to its fashion and material, which he would not have felt himself entitled to assume had he professed to be writing a Novel.

    1851 The House of the Seven Gables, preface.
  • Romance and poetry, ivy, lichens and wallflowers need ruin to make them grow.

    Nathaniel Hawthorne (2012). “The Marble Faun”, p.4, Courier Corporation
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