Mary Ruefle Quotes

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  • I like to read because it kills me.

    Kill Me  
    Mary Ruefle (2002). “Apparition Hill”, Cavankerry PressLtd
  • If we knew the value of suffering, we would ask for it.

    Suffering   Asks   Ifs  
  • People, the people we really love, where did they come from? What did we do to deserve them?

    People   Deserve  
    Mary Ruefle (2012). “Madness, Rack, and Honey: Collected Lectures”, p.97, Wave Books
  • A poem is a neutrino - mainly nothing - it has no mass and can pass through the earth undetected.

    Earth   Neutrinos   Mass  
    Mary Ruefle (2012). “Madness, Rack, and Honey: Collected Lectures”, p.285, Wave Books
  • Once I witnessed a windstorm so severe two 100-year-old trees were uprooted on the spot. The next day, walking among the wreckage, I found the friable nests of birds, completely intact and unharmed on the ground. That the featherweight survive the massive, that this reversal of fortune takes place among us — that is what haunts me. I don’t know what it means.

    Mean   Years   Two  
    Mary Ruefle (2012). “Madness, Rack, and Honey: Collected Lectures”, p.206, Wave Books
  • We are all one question, and the best answer seems to be love—a connection between things.

    Mary Ruefle (2012). “Madness, Rack, and Honey: Collected Lectures”, p.197, Wave Books
  • In the end I would rather wonder than know

    Wonder   Ends   Knows  
    Mary Ruefle (2012). “Madness, Rack, and Honey: Collected Lectures”, p.101, Wave Books
  • My happiness is marred only by my failure to attain it.

    Mary Ruefle (2014). “Trances of the Blast”, p.16, Wave Books
  • I remember I was a child, and when I grew up I was a poet. It all happened at sixty miles an hour and on days when the clock stopped and all of humanity fit into a little chapel, into a pinecone, a shot of ouzo, a snail's shell, a piece of soggy rye on the pavement.

  • Although all poets aspire to be birds, no bird aspires to be a poet.

    Bird   Poet   Aspire  
  • I hated childhood / I hate adulthood / And I love being alive.

    Mary Ruefle (2014). “Trances of the Blast”, p.12, Wave Books
  • Poetry is sentimental to begin with. To write a sentimental poem is an act of redundancy.

    Mary Ruefle (2012). “Madness, Rack, and Honey: Collected Lectures”, p.51, Wave Books
  • In one sense, reading is a great waste of time. In another sense, it is a great extension of time, a way for one person to live a thousand and one lives in a single lifespan, to watch the great impersonal universe at work again and again That is why I read: I want everything to be okay. That’s why I read when I was a lonely kid and that’s why I read now that I’m a scared adult.

    Lonely   Reading   Kids  
  • There is a world which poets cannot seem to enter. It is the world everybody else lives in. And the only thing poets seem to have in common is their yearning to enter this world.

    World   Common   Poet  
  • The words secret and sacred are siblings.

    Sibling   Secret   Sacred  
  • I am convinced that the first lyric poem was written at night, and that the moon was witness to the event and that the event was witness to the moon. For me, the moon has always been the very embodiment of lyric poetry.

    Mary Ruefle (2012). “Madness, Rack, and Honey: Collected Lectures”, p.12, Wave Books
  • Metaphor is not, and never has been, a mere literary term. It is an event.

    Events   Metaphor   Term  
    Mary Ruefle (2012). “Madness, Rack, and Honey: Collected Lectures”, p.131, Wave Books
  • In life, the number of beginnings is exactly equal to the number of endings ... In poetry, the number of beginnings so far exceeds the number of endings that we cannot even conceive of it.

    Numbers   Equal   Exceed  
    Mary Ruefle (2012). “Madness, Rack, and Honey: Collected Lectures”, p.1, Wave Books
  • Every creative act is an act of hypocrisy and violence. You may have to think about it for a while, but I am sure you can discover your own.

    Mary Ruefle (2012). “Madness, Rack, and Honey: Collected Lectures”, p.263, Wave Books
  • I study nature so as not to do foolish things.

    Study   Foolish  
    Mary Ruefle (2011). “Selected Poems”, p.46, Wave Books
  • Now I will give you a piece of advice. I will tell you something that I absolutely believe you should do, and if you do not do it you will never be a witer. It is a certain truth. When your pencil is dull, sharpen it. And when your pencil is sharp, use it until it is dull again.

    Believe   Giving   Advice  
    "Madness, Rack, and Honey". Book by Mary Ruefle, therumpus.net. August 7, 2012.
  • Polar fleece is a plush, spongy, totally artificial material that weighs nothing and conveys no quality of warmth or coolness; in fact, you can wear it in the most bitter weather or in the hottest heat. Polar fleece looks neither flimsy and light nor hearty and warm. It has no historical, cultural, or physical association with a place, a season, a society, or any living thing. It is the first existential fabric - eminentaly useful, meaningless, dissociated and weird.

    Mary Ruefle (2012). “Madness, Rack, and Honey: Collected Lectures”, p.60, Wave Books
  • Yes, the mistrust of poetry has a long history, for a variety of reasons, but they all come down to sentiment and invention over fact and truth. Figurative language is suspicious.

    Long   Facts   Language  
    Mary Ruefle (2012). “Madness, Rack, and Honey: Collected Lectures”, p.42, Wave Books
  • Irreverence is a way of playing hooky and remaining present at the same time.

    Mary Ruefle (2012). “Madness, Rack, and Honey: Collected Lectures”, p.217, Wave Books
  • Words have a love for each other, a desire that culminates in poetry.

    Desire  
    Mary Ruefle (2012). “Madness, Rack, and Honey: Collected Lectures”, p.92, Wave Books
  • It is the first experience you ever had of reading a decent poem: 'Oh, somebody else is lonely, too!

    Lonely   Reading   Firsts  
    Mary Ruefle (2012). “Madness, Rack, and Honey: Collected Lectures”, p.95, Wave Books
  • A poem is a finished work of the mind, it is not the work of a finished mind.

    Mary Ruefle (2012). “Madness, Rack, and Honey: Collected Lectures”, p.222, Wave Books
  • [On filling out a grant application:] I seek an extended period of time, free from all distractions, so that I might be free to be distracted.

    Mary Ruefle (2012). “Madness, Rack, and Honey: Collected Lectures”, p.137, Wave Books
  • When I first encountered the poems of Jon Woodward, I was stunned into the state that is my life's joy-I was in the presence of the inimitable. Uncanny Valley extends that experience-almost into another dimension. These apocalyptic, pixilated poems forge a mythology of our ravaged culture, one that might have been written in the future. If you want poetry to give you a persimmon on a plate, look elsewhere; if you want to know what happens when seven trees fall on the highway and the story is told by a stutterer, this is the book, and it could only have been written by Woodward.

    Book   Fall   Giving  
  • Something unpronounceable followed by a long silence points out my life is becoming a landscape.

    Mary Ruefle (1989). “The Adamant”, p.13, University of Iowa Press
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