Marilynne Robinson Quotes About Writing
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Never, ever condescend to the reader. Assume you are writing for someone better and smarter than you are. This will protect you from conventionalism, faddishness, and cliché.
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I really don't know why people have so much trouble now writing about religious faith. It is true that clichés can override more interesting impulses. But the desire to find meaning, to be generous, to live well in an ethical and spiritual sense, is so widespread that it should not seem alien to people when it is expressed in the terms of traditional religion.
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Protestantism, of course, is much more explicitly divided into different traditions - the Pentecostals, the Anglicans. But there is the main tradition of Protestantism that comes out of the Reformation and that produced people like Kant and Hegel and so on, who are not normally thought of as being people writing in a theological tradition, although Hegel, of course, wrote theology his whole life.
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I’m writing this in part to tell you that if you ever wonder what you’ve done in your life, and everyone does wonder sooner or later, you have been God’s grace to me, a miracle, something more than a miracle. You may not remember me very well at all, and it may seem to you to be no great thing to have been the good child of an old man in a shabby little town you will no doubt leave behind. If only I had the words to tell you.
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Characters more or less present themselves to me. I don't know their origins. I think if I did, if I seemed to myself to fabricate them, I could not induce suspension of disbelief in myself in the way writing fiction requires.
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For me writing has always felt like praying even when I wasn't writing prayers.
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I think to the degree writers are serious, there is a greater tendency for them to write to themselves, because they're trying to compose their own thoughts. They are trying to find out what is in their minds, which is the great mystery. Finding out who you are, what is in your head, and what kind of companion you are to yourself in the course of life. I do think people have very profound lives of which they say virtually nothing.
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I believe that reality is vastly richer than the cursory attention we usually give it permits us to understand. I like to write through a consciousness that allows me to suggest something of this richness.
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Somebody who had read Lila asked me, ‘Why do you write about the problem of loneliness?’ I said: ‘It’s not a problem. It’s a condition. It’s a passion of a kind. It’s not a problem. I think that people make it a problem by interpreting it that way.’
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