John Steinbeck Quotes About Writing

We have collected for you the TOP of John Steinbeck's best quotes about Writing! Here are collected all the quotes about Writing starting from the birthday of the Author – February 27, 1902! We hope you will be inspired to new achievements with our constantly updated collection of quotes. At the moment, this page contains 44 sayings of John Steinbeck about Writing. We will be happy if you share our collection of quotes with your friends on social networks!
  • I write because I like to write. I find joy in the texture and tone and rhythm of words. It is a satisfaction like that which follows good and shared love.

    John Steinbeck, Thomas Fensch (1988). “Conversations with John Steinbeck”, p.95, Univ. Press of Mississippi
  • The discipline of the written word punishes both stupidity and dishonesty.

    John Steinbeck (2001). “A Life in Letters”, p.729, Penguin UK
  • I do want to make it very convincing. And the best way to do that is to put most of it in dialogue.

    John Steinbeck (1990). “Journal of a Novel: The East of Eden Letters”, p.164, Penguin
  • A creative person has to be alive. He can't borrow from things he's done in the past. He can't let his method choose his subjects or his characters. They can't be warped to fit his style.

  • If there is a magic in story writing, and I am convinced there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another.

  • The profession of book writing makes horse racing seem like a solid, stable business.

    "The Acts of King Arthur and His Noble Knights". Book by John Steinbeck, 1976.
  • Abandon the idea that you are ever going to finish. Lose track of the 400 pages and write just one page a day, it helps. Then when it gets finished, you are always surprised.

    John Steinbeck (1989). “Steinbeck: A Life in Letters”, p.611, Penguin
  • The craft or art of writing is the clumsy attempt to find symbols for the wordlessness.

    John Steinbeck (1990). “Journal of a Novel: The East of Eden Letters”, p.8, Penguin
  • I start out to write five days a week, and then it runs to six days and finally seven. Then, eventually, that wave of weariness overwhelms me and I don't know what's the matter. That is, I know but I won't admit it. I'm just tired from writing. As you get older, writing becomes harder. By that I mean you see so many more potentialities. Things like transition used to trouble me. But not any more. When I say it's harder, I'm not talking about facility. You learn all the so-called tricks, but then you don't want to use them.

  • Ideas are like rabbits. You get a couple and learn how to handle them, and pretty soon you have a dozen.

    John Steinbeck, Thomas Fensch (1988). “Conversations with John Steinbeck”, p.124, Univ. Press of Mississippi
  • Always dream and shoot higher than you know you can do...Try to be better than yourself.

  • Write freely and as rapidly as possible and throw the whole thing on paper. Never correct or rewrite until the whole thing is down. Rewrite in process is usually found to be an excuse for not going on.

  • If a scene or a section gets the better of you and you still think you want it-bypass it and go on. When you have finished the whole you can come back to it and then you may find that the reason it gave trouble is because it didn't belong there.

  • A woman journalist in England asked me why Americans usually wrote about their childhood and a past that happened only in imagination, why they never wrote about the present. This bothered me until I realized why - that a novelist wants to know how it comes out, that he can't be omnipotent writing a book about the present, particularly this one.

    John Steinbeck, Thomas Fensch (1988). “Conversations with John Steinbeck”, p.73, Univ. Press of Mississippi
  • Writing to me is a deeply personal, even a secret function and when the product I turned loose it is cut off from me and I have no sense of its being mine. Consequently criticism doesn't mean anything to me. As a disciplinary matter, it is too late.

    "John Steinbeck, The Art of Fiction No. 45". Interview with Nathaniel Benchley, www.theparisreview.org. Fall 1969.
  • The craft of writing is the art of penetrating other minds with the figures that are in your own mind.

    John Steinbeck, Thomas Fensch (1988). “Conversations with John Steinbeck”, p.44, Univ. Press of Mississippi
  • The writer must believe that what he is doing is the most important thing in the world. And he must hold to this illusion even when he knows it is not true.

    The New York Times, June 02, 1969.
  • I have taken as much as six years to prepare a book for writing. There is such a delirium of effort in the production of a book; it's like childbirth. And, like childbirth, one forgets the pains immediately so that when you come to write another one you dare to take it up again. Some precious anesthesia sees you through.

    John Steinbeck, Thomas Fensch (1988). “Conversations with John Steinbeck”, p.88, Univ. Press of Mississippi
  • To finish is sadness to a writer — a little death. He puts the last word down and it is done. But it isn't really done. The story goes on and leaves the writer behind, for no story is ever done.

    "Steinbeck: A Life in Letters".
  • A good writer always works at the impossible.There is another kind who pulls in his horizons, drops his mind as one lowers rifle sights.

    John Steinbeck (1990). “Journal of a Novel: The East of Eden Letters”, p.8, Penguin
  • I wish to God I knew as much about writing as I did when I was 19. I was absolutely certain about most things then. Also, I suspect, more accurate.

  • I guess there are never enough books.

    John Steinbeck (2001). “The Acts of King Arthur and his Noble Knights”, p.304, Penguin UK
  • If there is a magic in story writing, and I am convinced that there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another. The formula seems to lie solely in the aching urge of the writer to convey something he feels important to the reader. If the writer has that urge, he may sometimes but by no means always find the way to do it.

  • In writing, habit seems to be a much stronger force than either willpower or inspiration.

    John Steinbeck (1990). “Working Days: The Journals of The Grapes of Wrath”, p.118, Penguin
  • Boileau said that Kings, Gods and Heroes only were fit subjects for literature. The writer can only write about what he admires. Present-day kings aren't very inspiring, the gods are on a vacation and about the only heroes left are the scientists and the poor.

    John Steinbeck (1990). “Working Days: The Journals of The Grapes of Wrath”, p.21, Penguin
  • Poetry is the mathematics of writing and closely kin to music.

  • Three hours of writing require twenty hours of preparation. Luckily I have learned to dream about the work, which saves me some working time.

    John Steinbeck (1989). “Steinbeck: A Life in Letters”, p.67, Penguin
  • I am writing this from what we Americans call Yurrp. In Yurrp writers are taken as seriously as Lana Turner's legs are in America - a ridiculous situation.

  • The curious hocus-pocus of criticism I can't take seriously. It consists in squirreling up some odd phrases and then waiting for a book to come running by.

    John Steinbeck (1995). “The Long Valley”, p.7, Penguin
  • Give a critic an inch, he'll write a play.

    "Writers at Work: The Paris Review Interviews, Fourth Series". Book edited by George Plimpton. Chapter "On Critics", 1977.
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