John Ruskin Quotes About Sorrow

We have collected for you the TOP of John Ruskin's best quotes about Sorrow! Here are collected all the quotes about Sorrow starting from the birthday of the Art critic – February 8, 1819! We hope you will be inspired to new achievements with our constantly updated collection of quotes. At the moment, this page contains 5 sayings of John Ruskin about Sorrow. We will be happy if you share our collection of quotes with your friends on social networks!
  • He who has once stood beside the grave, to look back upon the companionship which has been forever closed, feeling how impotent there are the wild love, or the keen sorrow, to give one instant's pleasure to the pulseless heart, or atone in the lowest measure to the departed spirit for the hour of unkindness, will scarcely for the future incur that debt to the heart which can only be discharged to the dust.

    John Ruskin (1848). “Modern Painters”, p.6
  • Men are more evanescent than pictures, yet one sorrows for lost friends, and pictures are my friends. I have none others. I am never long enough with men to attach myself to them; and whatever feelings of attachment I have are to material things.

    John Ruskin (1904). “The works of John Ruskin”
  • Labour without joy is base. Labour without sorrow is base. Sorrow without labour is base. Joy without labour is base.

    'Time and Tide' (1867) letter 5
  • Give an earnest-hearted, devoted girl any true work that will make her active in the dawn, and weary at night, with the consciousness that her fellow-creatures have indeed been the better for her day, and the powerless sorrow of her enthusiasm will transform itself into a majesty of radiant and beneficent peace.

    "Dictionary of Burning Words of Brilliant Writers". Book by Josiah Hotchkiss Gilbert, p. 122, 1895.
  • Our respect for the dead, when they are just dead, is something wonderful, and the way we show it more wonderful still. We show it with black feathers and black horses; we show it with black dresses and black heraldries; we show it with costly obelisks and sculptures of sorrow, which spoil half of our beautiful cathedrals. We show it with frightful gratings and vaults, and lids of dismal stone, in the midst of the quiet grass; and last, and not least, we show it by permitting ourselves to tell any number of falsehoods we think amiable or credible in the epitaph.

    John Ruskin (1902*). “Works”
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