James Joyce Quotes About Art

We have collected for you the TOP of James Joyce's best quotes about Art! Here are collected all the quotes about Art starting from the birthday of the Novelist – February 2, 1882! We hope you will be inspired to new achievements with our constantly updated collection of quotes. At the moment, this page contains 13 sayings of James Joyce about Art. We will be happy if you share our collection of quotes with your friends on social networks!
  • To discover the mode of life or of art whereby my spirit could express itself in unfettered freedom.

    James Joyce (1968). “Stephen D”, p.56, Dramatists Play Service Inc
  • I am not likely to die of bashfulness but neither am I prepared to be crucified to attest the perfection of my art. I dislike to hear of any stray heroics on the prowl for me.

    James Joyce (2016). “The Complete Works of James Joyce: Novels, Short Stories, Plays, Poetry, Essays & Letters: Ulysses, A Portrait of the Artist as a Young Man, Finnegan’s Wake, Dubliners, The Cat and the Devil, Exiles, Chamber Music, Pomes Penyeach, Stephen Hero, Giacomo Joyce, Critical Writings & more”, p.3868, e-artnow
  • I am damnably sick of Italy, Italian and Italians, outrageously, illogically sick.... I hate to think that Italians ever did anything in the way of art.... What did they do but illustrate a page or so of the New Testament! They themselves think they have a monopoly in the line. I am dead tired of their bello and bellezza.

    James Joyce, Richard Ellmann (1966). “Letters”
  • The supreme question about a work of art is out of how deep a life does it spring. Paintings of Moreau are paintings of ideas. The deepest poetry of Shelley, the words of Hamlet bring our mind into contact with the eternal wisdom; Plato's world of ideas. All the rest is the speculation of schoolboys for schoolboys.

    James Joyce (2016). “Ulysses”, p.188, First Avenue Editions
  • A Classical style... is the syllogism of art, the only legitimate process from one world to another. Classicism is not the manner of any fixed age or of any fixed country; it is a constant state of the artistic mind. It is a temper of security and satisfaction and patience.

    James Joyce (2013). “Delphi Complete Works of James Joyce (Illustrated)”, p.1542, Delphi Classics
  • The personality of the artist, at first a cry or a cadence or a mood and then a fluid, and lambent narrative, finally refines itself out of existence, impersonalises itself, so to speak. The aesthetic image in the dramatic form is life purified in and reprojected from the human imagination. The mystery of aesthetic like that of material creation is accomplished. The artist, like the God of the creation, remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails.

    A Portrait of the Artist as a Young Man ch. 5 (1916).
  • Lord, heap miseries upon us yet entwine our arts with laughters low.

  • It is as painful perhaps to be awakened from a vision as to be born.

    James Joyce (2013). “Four Novels by James Joyce”, p.658, eBookIt.com
  • The supreme question about a work of art is out of how deep a life does it spring.

    James Joyce (2016). “JAMES JOYCE Premium Collection: Ulysses, A Portrait of the Artist as a Young Man, Dubliners, Chamber Music & Exiles”, p.386, e-artnow
  • The artist, like the God of the creation, remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails.

    A Portrait of the Artist as a Young Man ch. 5 (1916).
  • It is a symbol of Irish art. The cracked looking-glass of a servant.

    Ulysses (1922)
  • An improper art aims at exciting in the way of comedy the feeling of desire but the feeling which is proper to comic art is the feeling of joy.

    James Joyce, Kevin Barry, Conor Deane (2000). “Occasional, Critical, and Political Writing”, p.102, Oxford University Press, USA
  • I will tell you what I will do and what I will not do. I will not serve that in which I no longer believe, whether it calls itself my home, my fatherland, or my church: and I will try to express myself in some mode of life or art as freely as I can and as wholly as I can, using for my defense the only arms I allow myself to use -- silence, exile, and cunning.

    A Portrait of the Artist as a Young Man ch. 5 (1916)
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