Harlan Ellison Quotes About Writing

We have collected for you the TOP of Harlan Ellison's best quotes about Writing! Here are collected all the quotes about Writing starting from the birthday of the Writer – May 27, 1934! We hope you will be inspired to new achievements with our constantly updated collection of quotes. At the moment, this page contains 2 sayings of Harlan Ellison about Writing. We will be happy if you share our collection of quotes with your friends on social networks!
  • Writing is the hardest work in the world. I have been a bricklayer and a truck driver, and I tell you – as if you haven't been told a million times already – that writing is harder. Lonelier. And nobler and more enriching.

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    "Quit Your Day Job!: How to Sleep Late, Do What You Enjoy, and Make a Ton of Money as a Writer". Book by Jim Denney and James D. Denney, 2003.
  • I refuse to write the same story twice. I keep experimenting. I keep learning how to work. I've been at it pretty much 50 years, and I'm now beginning to learn how to do the job well.

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  • It is not merely enough to love literature if one wishes to spend one's life as a writer. It is a dangerous undertaking on the most primitive level. For, it seems to me, the act of writing with serious intent involves enormous personal risk. It entails the ongoing courage for self-discovery. It means one will walk forever on the tightrope, with each new step presenting the possiblity of learning a truth about oneself that is too terrible to bear.

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  • The trap into which all writers have, will, or should fall into, of writing The Great American Watchamacallit, is such an uncluttered and inviting one that from time to time I'm sure even the greatest have to pull themselves up short by the Shift key to remind themselves that it is story first that they should write.

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  • Everybody has a talent, whether it's scrapbooking, or kite-flying, or brain surgery, or writing, everybody has a talent. And if they discover it, and they turn it to their purposes and make a living out of it, then they become not "that person," but they become "that writer" or "that doctor" or "that supervisor."

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    Interview with Tasha Robinson, www.avclub.com. June 8, 2008.
  • There is no nobler chore in the craft of writing than holding up the mirror of reality and turning it slightly, so we have a new and different perception of the commonplace, the everyday, the 'normal,' the obvious. People are reflected in the glass. The fantasy situation into which you thrust them is the mirror itself. And what we are shown should illuminate and alter our perception of the world around us. Failing that, you have failed totally.

  • The trick is not becoming a writer. The trick is staying a writer.

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    "Voices of Vision: Creators of Science Fiction and Fantasy Speak". Book by Jayme Lynn Blaschke (p. 182), April 1, 2005.
  • Thank your readers and the critics who praise you, and then ignore them. Write for the most intelligent, wittiest, wisest audience in the universe: Write to please yourself.

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  • You're a writer. And that's something better than being a millionaire. Because it's something holy.

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  • Thus, from admiration of one wise and innocent child, and from a misheard remark, the process that not even Aristotle could codify was triggered. Where do you get your ideas? I purposely mishear things.

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    Harlan Ellison (2014). “Slippage: Previously Uncollected, Precariously Poised Stories”, p.103, Open Road Media
  • Because the chief commodity a writer has to sell is his courage. And if he has none, he is more than a coward. He is a sellout and a fink and a heretic, because writing is a holy chore.

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    Harlan Ellison (1972). “Dangerous Visions”, Berkley
  • Anyone who can not write should.

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  • People on the outside think there's something magical about writing, that you go up in the attic at midnight and cast the bones and come down in the morning with a story, but it isn't like that. You sit in back of the typewriter and you work, and that's all there is to it.

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  • What I try to write about are the darkest things in the soul, the mortal dreads... The closer I get to the burning core of my being, the things which are most painful to me, the better is my work.

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    "Contemporary Authors New Revision Series: A Bio-Bibliographical Guide to Current Writers". Book by Ann Evory, 1982.
  • The more you know, the more unflinchingly you deny casual beliefs and Accepted Wisdom when it flies in the face of reality, the more carefully you observe the world and its people around you, the better chance you have of writing something meaningful and well-crafted.

  • Entertain, yes. That goes without saying. But a good writer does that automatically, it's built into the machine. Telling a thumpingly good, mesmerizing story is what one does without question. But beyond that, any writer worth his/her hire knows that all writing, one way or another, is subversive. It is guerrilla warfare against the status quo.

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    Harlan Ellison (2016). “Slippage”, p.128, Hachette UK
  • I don't know how you perceive my mission as a writer, but for me it is not a responsibility to reaffirm your concretized myths and provincial prejudices. It is not my job to lull you with a false sense of the rightness of the universe. This wonderful and terrible occupation of recreating the world in a different way, each time fresh and strange, is an act of revolutionary guerrilla warfare. I stir the soup. I inconvenience you. I make your nose run and your eyes water.

    "Shatterday: Stories". Book by Harlan Ellison, April 1, 2014.
  • The act of writing means you wish to communicate. Whether you're writing a memoir for yourself you put in a drawer, or you write a poem and you send it to a little magazine, or you write for publication, it always means - the form follows function.

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    "Harlan Ellison, Part Two". Interview with Tasha Robinson, www.avclub.com. June 08, 2008.
  • Get a day job, make your money from that, and write to please yourself.

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  • Writing is a holy chore.

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    Harlan Ellison (1972). “Dangerous Visions”, Berkley
  • I usually say I write for the smartest, cleverest, wittiest audience I know, and that's me.

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    Interview with Tasha Robinson, www.avclub.com. June 8, 2008.
  • I'm nothing. Nothing at all without writing. Without truth, my truth, the only truth I know, it's all a gambol in the pasture without rhythm or sense.

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