D. H. Lawrence Quotes About Literature

We have collected for you the TOP of D. H. Lawrence's best quotes about Literature! Here are collected all the quotes about Literature starting from the birthday of the Novelist – September 11, 1885! We hope you will be inspired to new achievements with our constantly updated collection of quotes. At the moment, this page contains 2 sayings of D. H. Lawrence about Literature. We will be happy if you share our collection of quotes with your friends on social networks!
  • I hate the actor and audience business. An author should be in among the crowd, kicking their shins or cheering them on to some mischief or merriment.

    D. H. Lawrence, James T. Boulton (2003). “The Letters of D. H. Lawrence”, p.201, Cambridge University Press
  • If a woman hasn't got a tiny streak of harlot in her, she's a dry stick as a rule.

    D.H. Lawrence (2013). “Delphi Complete Works of D.H. Lawrence (Illustrated)”, p.8702, Delphi Classics
  • Consciousness is an end in itself. We torture ourselves getting somewhere, and when we get there it is nowhere, for there is nowhere to get to.

    D. H. Lawrence, Mara Kalnins (2002). “Apocalypse and the Writings on Revelation”, p.93, Cambridge University Press
  • The essential function of art is moral. But a passionate, implicit morality, not didactic. A morality which changes the blood, rather than the mind.

    D. H. Lawrence, Ezra Greenspan, Lindeth Vasey (2003). “Studies in Classic American Literature”, p.155, Cambridge University Press
  • The only justice is to follow the sincere intuition of the soul, angry or gentle. Anger is just, and pity is just, but judgement is never just.

    D.H. Lawrence (2013). “Delphi Complete Works of D.H. Lawrence (Illustrated)”, p.8192, Delphi Classics
  • The American grips himself, at the very sources of his consciousness, in a grip of care: and then, to so much of the rest of life, is indifferent. Whereas, the European hasn't got so much care in him, so he cares much more for life and living.

    D. H. Lawrence, Simonetta de Filippis (2002). “Sketches of Etruscan Places and Other Italian Essays”, p.200, Cambridge University Press
  • How beautiful maleness is, if it finds its right expression.

    D. H. Lawrence, Mara Kalnins (2002). “Sea and Sardinia”, p.62, Cambridge University Press
  • Psychoanalysis is out, under a therapeutic disguise, to do away entirely with the moral faculty in man.

    D. H. Lawrence (2006). “Psychoanalysis and the Unconscious and Fantasia of the Unconscious”, p.4, Courier Corporation
  • One can no longer live with people: it is too hideous and nauseating. Owners and owned, they are like the two sides of a ghastly disease.

    People  
  • We have to hate our immediate predecessors, to get free from their authority.

    "Selected Literary Criticism".
  • The day of the absolute is over, and we're in for the strange gods once more.

    D. H. Lawrence (2016). “Kangaroo”, p.151, Jester House Publishing
  • Oh literature, oh the glorious Art, how it preys upon the marrow in our bones. It scoops the stuffing out of us, and chucks us aside. Alas!

    D. H. Lawrence, James T. Boulton (2002). “The Letters of D. H. Lawrence”, p.417, Cambridge University Press
  • Tragedy is like strong acid - it dissolves away all but the very gold of truth.

    D. H. Lawrence, James T. Boulton (2002). “The Letters of D. H. Lawrence”, p.248, Cambridge University Press
  • There's always the hyena of morality at the garden gate, and the real wolf at the end of the street.

  • Any novel of importance has a purpose. If only the "purpose" be large enough, and not at outs with the passional inspiration.

    D. H. Lawrence, Bruce Steele (1985). “Study of Thomas Hardy and Other Essays”, p.179, Cambridge University Press
  • The profoundest of all sensualities is the sense of truth and the next deepest sensual experience is the sense of justice.

    D. H. Lawrence (2008). “Complete Poems by Lawrence: Easyread Super Large 24pt Edition”, p.277, ReadHowYouWant.com
  • Death is the only pure, beautiful conclusion of a great passion.

    1922 Fantasia of the Unconscious, ch.15.
  • One never can know the whys and the wherefores of one's passional changes.

    D. H. Lawrence, Dieter Mehl (2002). “The Fox, The Captain's Doll, The Ladybird”, p.113, Cambridge University Press
  • The soul is a very perfect judge of her own motions, if your mind doesn't dictate to her.

    D.H. Lawrence (2013). “Delphi Complete Works of D.H. Lawrence (Illustrated)”, p.8312, Delphi Classics
  • The world of men is dreaming, it has gone mad in its sleep, and a snake is strangling it, but it can't wake up.

    D. H. Lawrence, James T. Boulton (2000). “The Selected Letters of D. H. Lawrence”, p.100, Cambridge University Press
  • Literature is a toil and a snare, a curse that bites deep.

    D. H. Lawrence, James T. Boulton (2002). “The Letters of D. H. Lawrence”, p.306, Cambridge University Press
  • One must learn to love, and go through a good deal of suffering to get to it... and the journey is always towards the other soul.

    D. H. Lawrence, George J. Zytaruk, James T. Boulton (2002). “The Letters of D. H. Lawrence”, p.191, Cambridge University Press
  • Nothing that comes from the deep, passional soul is bad, or can be bad.

    D. H. Lawrence (2002). “Women in Love”, p.4, Courier Corporation
  • Life is ours to be spent, not to be saved.

  • Loud peace propaganda makes war seem imminent.

    D. H. Lawrence (2008). “Complete Poems by Lawrence: Easyread Comfort Edition”, p.153, ReadHowYouWant.com
  • For even satire is a form of sympathy. It is the way our sympathy flows and recoils that really determines our lives. And here lies the vast importance of the novel, properly handled. It can inform and lead into new places our sympathy away in recoil from things gone dead. Therefore the novel, properly handled, can reveal the most secret places of life: for it is the passional secret places of life, above all, that the tide of sensitive awareness needs to ebb and flow, cleansing and freshening.

    D. H. Lawrence, Michael Squires (2002). “Lady Chatterley's Lover and A Propos of 'Lady Chatterley's Lover'”, p.101, Cambridge University Press
  • God is only a great imaginative experience.

    D. H. Lawrence, Mara Kalnins (2002). “Apocalypse and the Writings on Revelation”, p.51, Cambridge University Press
  • Never trust the artist. Trust the tale. The proper function of the critic is to save the tale from the artist who created it.

    Studies in Classic American Literature (1923) ch. 1
  • The one woman who never gives herself is your free woman, who is always giving herself.

  • People always make war when they say they love peace.

    D. H. Lawrence (2008). “Complete Poems by Lawrence: Easyread Super Large 20pt Edition”, p.492, ReadHowYouWant.com
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