Charles Baudelaire Quotes About Art

We have collected for you the TOP of Charles Baudelaire's best quotes about Art! Here are collected all the quotes about Art starting from the birthday of the Poet – April 9, 1821! We hope you will be inspired to new achievements with our constantly updated collection of quotes. At the moment, this page contains 30 sayings of Charles Baudelaire about Art. We will be happy if you share our collection of quotes with your friends on social networks!
  • Who would dare assign to art the sterile function of imitating nature?

    Charles Baudelaire (1981). “Baudelaire: Selected Writings on Art and Artists”, p.428, CUP Archive
  • To say the word Romanticism is to say modern art - that is, intimacy, spirituality, color, aspiration towards the infinite, expressed by every means available to the arts.

    Charles Baudelaire (1995). “The Painters of Modern Life”, Phaidon Incorporated Limited
  • Modernity is the transitory, the fugitive, the contingent, which make up one half of art, the other being the eternal and the immutable. This transitory fugitive element, which is constantly changing, must not be despised or neglected.

  • The more a man cultivates the arts the less he fornicates. A more and more apparent cleavage occurs between the spirit and the brute.

    Charles Baudelaire, Christopher Isherwood, W. H. Auden (2006). “Intimate Journals”, p.97, Courier Corporation
  • What is art? Prostitution.

    Charles Baudelaire, Christopher Isherwood, W. H. Auden (2006). “Intimate Journals”, p.31, Courier Corporation
  • Blessed art Thou, Lord, who giveth suffering As a divine remedy for our impurities.

  • It is from the womb of art that criticism was born.

    Charles Baudelaire, Jonathan Mayne (1981). “Art in Paris 1845-1862: salons and other exhibitions”
  • Modernity is the transient, the fleeting, the contingent; it is one half of art, the other being the eternal and the immovable.

    Charles Baudelaire (1981). “Baudelaire: Selected Writings on Art and Artists”, p.403, CUP Archive
  • If photography is allowed to stand in for art in some of its functions it will soon supplant or corrupt it completely thanks to the natural support it will find in the stupidity of the multitude. It must return to its real task, which is to be the servant of the sciences and the arts, but the very humble servant, like printing and shorthand which have neither created nor supplanted literature.

    1859 'Salon of 1859', section 2, in Curiosites Esthetiques (1868).
  • There can be no progress-real, moral prgress-except in the individual and by the individual himself.

  • The beautiful is always bizarre.

    Charles Baudelaire (2015). “Selected Poems from Les Fleurs du Mal”, p.194, Arc Publications
  • A frenzied passion for art is a canker that devours everything else.

  • Evil is done without effort, naturally, it's destiny; good is always the product of skill.

    "Le peintre de la vie moderne". Book by Charles Baudelaire. Chapter 11, 1863.
  • Imagination is an almost divine faculty which, without recourse to any philosophical method, immediately perceives everything: the secret and intimate connections between things, correspondences and analogies.

  • Since photography gives us every guarantee of exactitude that we could desire (they really believe that, the mad fools !), then photography and art are the same thing.

    Charles Baudelaire, Jonathan Mayne (1981). “Art in Paris 1845-1862: salons and other exhibitions”
  • The artist is today and has been for many years, despite his absence of merit, simply a spoiled child. So many honors, so much money bestowed on men without souls and without education.

  • The will to work must dominate, for art is long and time is brief.

    Charles Baudelaire (1991). “The Flowers of Evil and Paris Spleen: Poems”, Boa Editions
  • Evil is committed without effort, naturally, fatally; goodness is always the product of some art.

  • Torture, as the art of discovering the truth, is barbaric nonsense; it is the application of a material means to a spiritual end.

    Charles Baudelaire (1919). “Baudelaire, His Prose and Poetry”
  • A work of art should be like a well-planned crime.

  • In order for the artist to have a world to express he must first be situated in this world, oppressed or oppressing, resigned or rebellious, a man among men.

  • Art is an infinitely precious good, a draught both refreshing and cheering which restores the stomach and the mind to the natural equilibrium of the ideal.

    Charles Baudelaire, Jonathan Mayne (1981). “Art in Paris 1845-1862: salons and other exhibitions”
  • An artist is only an artist on condition that he neglects no aspect of his dual nature. This dualism is the power of being oneself and someone else at one and the same time.

  • In art, there is one thing which does not receive sufficient attention. The element which is left to the human will is not nearly so large as people think.

  • ...an industry which can furnish results identical to nature must be the absolute in art.

  • It is the greatest art of the devil to convince us he does not exist.

  • In the domain of painting and statuary, the present-day credo of the worldly wise, especially in France, is this: ... I believe that art is, and can only be, the exact reproduction of nature... An avenging God has heard the prayers of this multitude; Daguerre was his messiah.

  • If photography is allowed to supplement art in some of its functions, it will soon have supplanted or corrupted it altogether, thanks to the stupidity of the multitude which is its natural ally.

    Charles Baudelaire, Jonathan Mayne (1981). “Art in Paris 1845-1862: salons and other exhibitions”
  • It is one of the prodigious privileges of art that the horrific, artistically expressed, becomes beauty, and that sorrow, given rhythm and cadence, fills the spirit with a calm joy.

  • This industry [photography], by invading the territories of art, has become art's most mortal enemy.

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