Anthony Burgess Quotes About Writing
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Literature is all, or mostly, about sex.
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The writer's life seethes within but not without.
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One goes on writing partly because it is the only available way of earning a living. It is a hard way and highly competitive. My heart drops into my bowels when I enter a bookshop and see how fierce the competition is...There is also a privier reason for pushing on, and that is the hopeless hope that someday that intractable enemy language will yield to the struggle to control it... Mastery never comes, and one serves a lifelong apprenticeship. The writer cannot retire from the battle; he dies fighting.
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We can destroy what we have written, but we cannot unwrite it.
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I don't write out of fear. I write out of a strong urge to meet death on its own eternal terms, because the fact is that if you write as little as a page of prose-even bad prose-that is eternal.
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The trouble began with Forster. After him it was considered ungentlemanly to write more than five or six novels.
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If you write fiction you are, in a sense, corrupted. There's a tremendous corruptibility for the fiction writer because you're dealing mainly with sex and violence. These remain the basic themes, they're the basic themes of Shakespeare whether you like it or not.
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I chart a little first-list of names, rough synopsis of chapters, and so on. But one daren't overplan; so many things are generated by the sheer act of writing.
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There is, in fact, not much point in writing a novel unless you can show the possibility of moral transformation, or an increase in wisdom, operating in your chief character or characters. Even trashy bestsellers show people changing. When a fictional work fails to show change, when it merely indicates that human character is set, stony, unregenerable, then you are out of field of the novel and into that of the fable or the allegory. - from the introduction of the 1986 Norton edition
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I wrote much because I was paid little. I had no great desire to leave a literary name behind me.
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There is, in fact, not much point in writing a novel unless you can show the possibility of moral transformation, or an increase in wisdom, operating in your chief character or characters.
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A man can write one book that can be great, but this doesn't make him a great writer-just the writer of a great book. . . I think a writer has to extend very widely, as well as plunge very deep, to be a great novelist.
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It seems priggish or pollyannaish to deny that my intention in writing the work was to titillate the nastier propensities of my readers. My own healthy inheritance of original sin comes out in the book and I enjoyed raping and ripping by proxy. It is the novelist’s innate cowardice that makes him depute to imaginary personalities the sins that he is too cautious to commit for himself.
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