Viewers Quotes
The best sayings about Viewers that you can share on Instagram, Pinterest, Facebook and other social networks!
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I've never bought a Dylan record. A singing poet? It just bores me to tears. I've got to tell you, if I had 10 Dylans in the final of 'American Idol,' we would not be getting 30 million viewers a week. I don't believe the Bob Dylans of this world would make 'American Idol 'a better show.
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Prison Break is so far-fetched, I had to make viewers believe that Michael is capable of making the impossible possible.
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The artist has to make the viewer understand that his world is too narrow, he has to open up to new perspectives.
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Source of inspiration. The MAK is a museum that has had a profound effect on me as an artist and art viewer.
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I find as a viewer, when I go to see comedies, the strain to be funny throughout the whole thing. I start to lose my sense of reality, and it ends up feeling like an empty experience; there's funny stuff in it but I've lost the emotional connection to the characters because it's just so bananas.
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I think viewers quite like it when I'm suffering or eating or drinking something horrible or really up against it in some quicksand or whatever.
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My intention has been to encourage viewers to face their prejudices about prostitution, sex and aging while reflecting on the complex and varied forms that love and loneliness can take.
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The power of movies lies in the fact that it enables the viewer to enter the reality, to some extent, of the characters.
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Seurat and Signac mixed paintings with the dry and abstract laws of science. This approach, in my opinion, usually strays from the purpose of art in general. Because it means that one cannot expect from an artifact, that is created with mathematical laws, to establish an improbable and irrational relationship between the work and the viewer.
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Confusion and clutter are failures of design, not attributes of information. And so the point is to find design strategies that reveal detail and complexity - rather than to fault the data for an excess of complication. Or, worse, to fault viewers for a lack of understanding.
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The only thing that I can do is hold a mirror in front of men and women, in front of the viewer in the theater, to reflect. There is nothing but reflection that I could intend to offer the viewer of the film.
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Beginning, perhaps, from the reasonable perspective that absolute objectivity is unattainable, Fox News and MSNBC no longer even attempt it. They show us the world not as it is, but as partisans (and loyal viewers) at either end of the political spectrum would like it to be. This is to journalism what Bernie Madoff was to investment: He told his customers what they wanted to hear, and by the time they learned the truth, their money was gone.
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[W]e have ceased to see the life in which we live. It is my intent to cause the viewer to revisit the gifts we are surrounded by and see them as if for the first time.
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About my work, my first film, Écoute le Temps (Fissures), was positioned by distributors as a thriller because they thought that it would sell more easily. But it was surely a mistake, as that kind of viewer did not take the bait, and it drew away its potential core audience, those whom I met in festivals and in various Q&As who seem to appreciate that particular kind of cross-over arthouse film.
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Every network wants to capture new viewers, but that's up to the networks.
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I aim to create furniture that appears in a room as buildings on a skyline and reminds the viewer of the interaction between objects of design and architectural space.
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One thing Fringe has is no shortage of ideas. There are so many jumping off points that we could use and have thought about. I just wouldn't want to pull a trick like that on the viewers. I really want to reward them. I honestly and sincerely feel that it's the most miraculous fan base I've ever seen, so I just want to make sure I use every fiber of my body to deliver for them what I think is going to be satisfying for their loyalty.
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I'm always careful about the thing I'm writing to make sure a viewer can imagine it happening to themselves.
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The networks are different so they have a different approach. Obviously, with The Shield - that was on FX so they had a little bit more leeway as far as the dialogue was concerned and even the content and what they showed the viewers, which is a great thing. But we will push it to the limit as far as FOX will let us go; that's for damn sure.
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Viewers all over the world, whatever medium you are using to view us, on Emmanuel TV, Facebook, YouTube, Twitter, I command a new dream to come true, in Jesus' name!
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I'm not like paparazzi. I never force myself on anyone. I always ask, and some places offer money. And so I try and get these photos to give you, the viewer, a real look at what I was seeing.
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The difference between a regular camera and a 3D camera, for an actor, is really no different except that the turn-arounds are longer. It takes a lot longer to set up a shot because the cinematographer is really trying to set up a whole world, so it can't be more intricate and more beautiful to the viewers, in 3D.
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The people who love my paintings, that respond to them the most, they're spectators, they're not viewers.
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I saw a story in the Los Angeles Times that 40 percent of the viewers are men. It didn't really surprise me.
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The speeding toy cars produce in the viewer the stress of living in a dynamic, active and bustling 21st-century city.
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Painting has this ability to send the viewer [backward], but it's also this physical object in the room with you. It's always knocking you back into the present moment, which I find very pleasurable.
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I think 'Scarface' is a great film, but if you have a character like Tony Montana, you don't identify with him at all. I think it's very interesting instead to identify yourself with a character you don't like all the time. You can create a tension between the fiction and the viewer. You force the spectator to wonder about his actions.
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Particularly with live TV, I have a really good time reacting in the moment to things that are going on around me. I try to think of the viewers' perspective too.
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You've got to look for a gap, where competitors in a market have grown lazy and lost contact with the readers or the viewers.
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It was, just as Kinski had predicted, suicide. He should never have done it. It is widely held by those who knew him, and Kinski himself, that he never recovered from Woyzeck. But what was the ultimate result? If you are the viewer of this film, Kinski's portrayal shocks your feelings out of the vault of intellectualizing or passive observing. He forces you to feel with him, to align yourself with your buried emotions. He outs your sensitivity. Is this not something Christ-like? It is, for my money. Kinski is the pure cure for the 21st-century disease - the numbness unto droning.
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Ileana Ros-Lehtinen U.S. Representative
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