Movie Business Quotes
The best sayings about Movie Business that you can share on Instagram, Pinterest, Facebook and other social networks!
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I think, when I started to become successful in the movie business, my mother was very, very worried. She thought no one would want to marry me and she thought that was the most important thing. And she thought that it would affect my personal relations. And she said how worried she was that people would take advantage of me or I would meet the wrong people. When I was made head of the studio, one of her first things was, "Well, now no one will marry you. I hope you'll be happy, whatever."
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Ego problems are endemic in every walk of life, but in the movie business egomaniacs are megalomaniacs.
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People look at technology as sometimes an end to things, and it isn't an end in certain cases. In the movie business, the act of creating in the art form of movies, the craft of movies is completely technical, and that's all it is.
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When I got into the movie business, working with actors was the one thing I was really weak at. I didn't know what to say to actors. They scared me and intimidated me. The actors that I've worked with who have had a lot of experience, or who I've even grown up watching as a kid, were really scary. I was like, "What am I going to say to this person?" But, I've matured. It's fun. I understand what actors do now.
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I'm in the movie business; it's meant to be very cutthroat. But you won't find anybody that ever says I cheated them or manipulated them.
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When your in the movie business you have a start date and a stop date.
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I feel I belong in the movie business and I belong in the security business. It's a natural for me.
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You work, especially in the movie business more than in TV, but you have an environment where people feel obliged to have an input because that's what they do, and I think sometimes it can clutter things up and make things more problematic.
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Oh, don't let's ask for the moon. We've already got the stars.
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In this day and age, you need a lot of patience if you are in the movie business.
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The other thing being at UCLA was just being in California and around the movie business. Which I honestly believe, and I've told this to screenwriters, you have to do. You have to be there in order to write or direct movies.
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The secret to the movie business, or any business, is to get a good education in a subject besides film - whether it's history, psychology, economics, or architecture - so you have something to make a movie about. All the skill in the world isn't going to help you unless you have something to say.
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I've worked in the movie business for many, many years, where you have lots of days and lots of money. It's really mainly about time. We always try to conceive all of our action from a place of, "What can we shoot that looks fantastic?," rather than trying to do the kinds of thing that you would be able to accomplish in a movie.
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Rome is magic, it's like being in Hollywood. But the difference between Hollywood and Rome is that here you don't have just the movie business. The movie business is so little, so you also have the choice to hang out with people who do different kinds of business.
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I think the movie business is in trouble. It's all movies that you've seen before. Everything's a remake; they want things that are familiar rather than things that surprise you.
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In terms of the movie business, being in a 'Lord of the Rings' has given me more interesting options as work.
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I think American films right now are suffering from an excess of scale. Lots of movies we're seeing now are more akin to video games than stories about human life and relationships. Twelve- to 20-year-olds are maybe the largest economic force in the US movie business. I'm not a very nostalgic person - but I enjoy a good story.
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I think it started to feel like home when I stopped maintaining any pretense that I was ever going to be in the movie business. I went there like many writers - I had a screenplay deal and I would go to these meetings and it was the typical thing. And I hated it. I was not interested in writing screenplays, actually. But I kept feeling like that was what I was supposed to do. It was just this horrible cognitive dissonance.
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See, I'm fortunate that I get around a lot because of my movie business.
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Television is like the movie business. It's not the least-objectionable program - it's the best program that gets positioned. Same in the movie business. It's not just everything automatically gets done by the "in" crowd.
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You get to use everything you learned in movie business. You talk to actors, if you do it right - and I haven't always done it right - you should be shaping the material all the time. And the other thing is, you get all the blame when you direct and it doesn't work. You get slammed. So that's another reason to know what you're making, why you're making it, and make it the way you want.
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When television came in, everybody thought that was the end of the movie business, which was not and is not.
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I think having power ingrains people with a conservatism. There's a tendency to hedge one's bets. (Which explains a lot, actually, about why the movie business is the way it is, and why the publishing industry is too.)
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I consider anybody who has been able to make a living in this business [movie business] without having to do something else for a living for any period of time let alone 43 years would be a miracle.
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My father being in the movie business, I thought being an actor would be great. But when I started singing to people in coffeehouses, you know, singing folk music and then, later, singing songs that I started to write myself, I felt more than an affinity for it.
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I'm probably the only person who goes to work and says 'Wow, it's really nice here and sweet,' even in the competitive movie business.
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The movie industry is brutal. It is dangerous. It is, for most, soul destroying. Creating art (music, books, films, etc.) can be beautiful and liberating, but trying to sell art, well, that is the movie business. There are few winners, and lots and lots of losers.
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I left Mexico for artistic survival. If I had stayed, I would have been forced by the government, who control the movie business, to direct TV shows or commercials or infomercials for the government.
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Rob [Reiner] is a teddy bear. He's hell delicious. He's a really good director. He's a great soul. In the movie business, I would call him a movie mom. The only person I hold in equal esteem is Clint Eastwood. Now I have worked with a lot of terrific directors, and I don't mean to be putting any of them below their own station, but these two, I relish working with them.
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The core of the movie business remains intact and it's not descending in scope. Studios want movies that are bigger than ever.
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Top Authors
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Peter Maurin Activist -
Paul Provenza Actor -
Peggy Guggenheim Art collector -
Peter Benchley Author -
Paul J. Manafort Consultant
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Pete Domenici Former United States Senator -
Paul Reiche III Game designer -
Peter Alliss Golfer -
Peter Laughner Guitarist -
Perry Miller Historian -
Penny Lernoux Journalist -
Pavel Peter Gojdic Martyr -
Paul Halmos Mathematician -
Paul Cain minister -
Paul Murray Novelist -
Penelope Gilliatt Novelist -
Pedro Meyer Photographer -
Paul Tergat Runner -
Paul Washer Sermonizer -
Paul Potts Singer -
Peter Cincotti Singer -
Penny Pritzker United States Secretary of Commerce -
Peter Cochrane Writer -
Peter James Writer
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