Between The Lines Quotes
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In books, you always know what's coming next. There are no surprises.
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Read between the lines, folks, 'cause I'm here to tell you you're not getting the straight story. Ever. You're getting variations of the truth, if you're lucky.
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Reading is important - read between the lines. Don't swallow everything.
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The art of reading between the lines is as old as manipulated information.
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I've always believed that if you are precise in your thoughts, it's not the lines you say that are important - it's what exists between the lines. What I'm compelled by most is that transparency of thought, what is left unspoken.
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I thought I could rely on the plot in the novel and fill in the colour between the lines, but I made a mistake with that assumption. It was really, really hard because you pull a few things apart and then you realise how everything relies on everything else and it can all fall apart.
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The secret of many of my deformations - which many people do not understand - is that there is an interaction, an intereffect between the lines in a painting: one line attracts the other and at the point of maximum attraction the lines curve in toward the attracting point and form is altered.
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Think back over your day and consider when God spoke. How did you sense it, or why did you fail to sense it at the time? It is often between the lines and in the empty places where we hear God.
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Just because it's fiction doesn't mean it's any less true.
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Readers need to see themselves between the lines of the story.
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The official name of the project is 'Jewish Museum' but I have named it 'Between the Lines' because for me it is about two lines of thinking, organization and relationship. One is a straight line, but broken into many fragments, the other is a tortuous line, but continuing indefinitely.
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...all I have to do is stay in between the lines and make sure that no one is too close to me and I am not too close to anyone and keep leaving. Maybe it felt like this for her, too, but I could never feel like this alone.
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I moved to leave, and Dylan actually grabbed my shoulders. I was so surprised that i forgot to karate-chop his elbows and break his arms.' “I don’t want anything to happen to you,” he said urgently. “What you want does not matter here,” I said slowly and carefully. I hoped Dylan was sensitive enough to read between the lines, to the subtext of: Let go of me or I’ll kill you.
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I can't write from the subconscious actually, because a lot of the time when I co-write with other people, I'm writing for them as opposed to for myself. When it comes to lyrics, I tend to want to give them their voice, since it's most likely going to be on their record, or somebody else's record. And I find for more commerial-style music, people want simplicity, less vagueness, and less space to fill between the lines, so to speak. So I can't be quite as ethereal and mystical.
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Imagine a poem written with such enormous three-dimensional words that we had to invent a smaller word to reference each of the big ones; that we had to rewrite the whole thing in shorthand, smashing it into two dimensions, just to talk about it. Or don’t imagine it. Look outside. Human language is our attempt at navigating God’s language; it is us running between the lines of His epic, climbing on the vowels and building houses out of the consonants.
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A lot of things look good on an academic's blackboard in terms of the actions that need to be taken. It's almost like a football coach, when you draw the X's and O's: Every play that is chalked on that board goes for a touchdown. Well, there are a lot of yards to be made between the line of scrimmage and the touchdown.
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It's a bold statement but I think people need to read between the lines.
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I ain't the captain of the yacht, but I'm on the boat; I ain't acting what I'm not, knowing that I don't. You niggaz acting like you will, but I know you won't. Man, I read between the lines of the eyes of your brows, Your handshake ain't matchin your smile.
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an Autobiography is the truest of all books; for while it inevitably consists mainly of extinctions of the truth, shirkings of the truth, partial revealments of the truth, with hardly an instance of plain straight truth, the remorseless truth is there, between the lines, where the author-cat is raking dust upon it which hides from the disinterested spectator neither it nor its smell... the result being that the reader knows the author in spite of his wily diligences.
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As far as people communicating with each other well I think that listening is important. You know really trying to read between the lines of what some body is saying and trying to read their mind a little bit where there at because most people don't really say what they're feeling. Which is the bones of great literature.
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You get used to the exact amount of space between lines. You write a word and then you write an alternate word over it. You want enough room so you can read it, so the lines can't be too close.
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The truth is that every true admirer of the novels cherishes the happy thought that he alone - reading between the lines - has bcome the secret friend of their author.
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I write about the trials and triumphs of contemporary life - and often the readers see themselves between the lines of the story.
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Acting is probably the greatest therapy in the world. You can get a lot stuff out of you on the set so you don't have to take it home with you at night. It's the stuff between the lines, the empty space between those lines which is interesting.
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Our modern ideas of 'functioning' through things are really quite inhuman. We have this idea that no matter what is going on we still have to color between the lines, act normal.
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For all the idealism that propels him through the story, if you read between the lines you may see that at a moment which he considers a defining point in his life as an activist, he's also set the stage for potential ugliness down the road.
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In communist Russia, their major organ was Pravda, which means "truth." The Russians knew how to read between the lines. They didn't take their literature literally.
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I phoned Joe Roth, who was head of the studio at the time, and told him how beautiful the film was, and that I was fully ready to support it, that Michael's work was wonderful and I imagined that Daniel would feel the same. He listened quietly and read between the lines.
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I start to think, and then I sink Into the paper like I was ink When I'm writing, I'm trapped in between the lines I escape when I finish the rhyme.
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People have a responsibility, especially with today's media, to read between the lines.
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Top Authors
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Edward Malloy 16th President of the University of Notre Dame -
Elaine Cassidy Actress -
Elize du Toit Actress -
Edith Green American Politician -
Edwin Lutyens Architect -
Edward Bellamy Author -
Ellen Ullman Author -
Edwin Schlossberg Designer -
Edward Bok Editor -
Elizabeth Montgomery Film actress -
Eli Roth Film director -
Edward Brooke Former United States Senator -
Edward Johnson General -
Efraim Zuroff Historian -
Edward Hallett Carr Journalist -
Eliza Griswold Journalist -
Edward III of England King of England -
Edmund Capon Museum director -
Edward Dahlberg Novelist -
Elfriede Jelinek Playwright -
Eino Leino Poet -
Elizabeth of Hungary Princess of Hungary -
Ellen Langer Professor -
Edward Yourdon Software Engineer -
Edmund Randolph United States Secretary of State -
Eliza Haywood Writer -
Ella Maillart Writer
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