Katie Holmes Quotes
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I'm not computer literate. I e-mail. I know how to get on the Web, but I haven't crossed over into the internet world. I'm old-fashioned, I guess.
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I find that usually when I watch something like horror film, I'm constantly thinking no, it's not going to happen.
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I love all of his movies. I love all his movies. I love Tom.
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I felt so proud to be having a baby and so excited. And I felt closer to other women - to my sisters, to my mom. I felt empowered, like, 'I've given birth. I did it! There's nothing I can't handle.' I've really enjoyed this time that I have taken to be with Suri, as well as the challenges of the first couple of months: feeding and pumping, learning to decipher what each cry means - is she hungry? Is she tired? Does she need a fresh diaper? - and figuring out how to really help her.
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It's actually great to shoot far away from Hollywood because we don't have the distractions of the parties and premieres and all that. And, of course, you can save money - there are no good shoe stores.
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When I was on set I tried not to bug Steven Soderbergh too much. "Why did you put the camera there?" But he was very open to my questions and definitely being on his set was really thrilling because he's such a master.
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I’m not the easiest person to live with. I’m kind of a slob.
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I optioned a book called "Rare Objects" by Kathleen Tessaro and I'm adapting it . It takes place in the 1930s and it's about two women and that's what I'm working on to direct.
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I used to get so worried that if a scene didn't go a certain way, then it was horrible. But then I realized that it was better to give the director options in the editing room than just being locked into how it's supposed to be.
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~I've never met a 2-year-old who is terrible. I'm so cool with every stage my daughter goes through. I just think she's amazing. I hope she's not looking at me thinking, Mom, are the terrible 30s coming on with you?~
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Becoming a mother has been the most amazing experience - in an instant you become strong. You have to be a little bit wiser; it's the most important job in the world.
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It's nice to do something about something that scares you rather than just run from it and hope that someone saves you. I like seeing strong female characters and somebody who doesn't run away screaming when scared, but confronts the monsters.
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Suri is my daughter, she's very, very special to me, and this project took a lot of time and because it's my first feature I wanted her to know that she's so special to me. I thought that as she gets old that will mean more to her, that she's always the most important, and I wanted to give her a special thanks because she means everything to me.
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We all keep dreaming, and luckily, dreams come true.
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I felt that there was a beautiful story [ in "All We Had"] to be told and one that was valuable and also one that was a size that I could do as my first.
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Definitely being a mom changes your perspective on everything.
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I really hope that I get to work with Chris [Nolan] some day.
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My norm for watching scary movies, what I love about it, is when they work and they scare me, which is not that often I'm afraid. The more you know the genre, your taste becomes a little more rarefied and you take a very particular route to the type of movies you like in the genre. But I still get scared.
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I'm not the easiest person to live with. I'm kind of a slob. So for me to consider a roommate, it would have to be one of my sisters or something.
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I got caught kissing. Like by my parents. It was so horrible. It's so embarrassing, I'm blushing.
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I like being part of good movies and telling stories that mean something to me. I also like playing characters that I look up to.
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I did Phone Booth, and that was shot very, very quickly, but that was Joel Schumacher, who's shot so many movies that, if anybody can figure out how to do it in a couple of days, it's him.
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I think it was around the time of doing those shorts. [Producer] Christine Vachon, I had a meeting with her, and she mentioned the short, this AOL short, and asked if I wanted to do one. And then the next step was the "30 for 30," and again that boosted my confidence enough to decide I'm going to do a feature narrative. And I was supported by my agency, and [producer] Jane Rosenthal has been an exceptional friend, and she produced "All We Had," she encouraged me to do the "30 for 30."
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I really can't deny it, I am who I am. I'm pretty normal. I'm not that smooth type of girl. I run into things, I trip, I spill food. I say stupid things... I really don't have it all together.
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Definitely trust yourself. Work hard. Be honest with yourself. And life can be joyful. It is joyful. Just give it your all and it's all going to work out.
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How do you know you told a good punch line, a good joke? It's because they laugh. How do you know you've got a good scary punch line? It's because they jump out of the seat or scream. So the best reward is one you can listen to.
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I really enjoyed working on the first one [Batman franchise] and I wish I could have worked with Chris Nolan again and I hope to work with him again.
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I started working on how I would direct this a year before we started shooting "All We Had" and I was prepping, acting, and directing sort of at the same time. I knew that I didn't want to hold people up on set.
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I love Renée Zellweger, she can do no wrong in my eyes. I relate to every character she embodies, because she has no pretense. I also love Amy Adams: She's so kind and talented, and whenever I watch her I think, I want to be her friend-I've seen Enchanted many times with my daughter. Meryl Streep, of course. And I love what Cate Blanchett brings to every movie she does.
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I'm so spoiled - I must have a Starbucks vanilla latte every day. Otherwise, it's going to be a bad day. I also love Jelly Bellies. But that's bad. Don't tell my mom.
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