John Edgar Wideman Quotes
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When I'm writing, I'm thinking, "Well, this might be a book that I'll always be happy with, and certainly readers will be happy with." But another part of me knows that when I'm past the stage of writing, the book is gonna have good things about it, bad things about it - probably more bad than good. I just know that. That's who I am.
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Everything is up for grabs, everything is relative. Except nothing is if you are serious about it because the moment you become serious about answering a question you have a stake in it. Relatively goes out of the window, in one sense because you're putting your a** out there - you are depending on the answer, you need the answer.
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My grandfather had asked me many times whether I'd like to come to South Carolina with him. He wanted to introduce me to our people down there and I didn't want to go. In those days, the South was still a place where black kids were lynched. Something horrible could happen to you. I've had that feeling my whole life.
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Even in my adult years, when I heard a white person speaking in a Southern accent I was initially suspicious.
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You have to be a minor superhero just to get to be a dignified man, and that's kind of exacerbated for men of color.
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I really dislike when people talk about "experimental," because any good writer is experimental. As a writer, you don't know what the hell you're doing. You're just doing it. You hope it works out well. I've been experimenting with these things myself in my own books.
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I don't like the way question marks look. They're really ugly. They look like blots. At some other point in my life, I might have disliked them because I never knew how to properly apply them. Also commas, and whether they were outside the quote or inside the quote - that all seemed like an unnecessary pain in the ass.
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I'm still vulnerable and still weak.
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Do not fall asleep in your enemy's dream.
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I get off on anticipating and waiting much more than I get off on the actual event.
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I really love James Joyce, Dubliners and other work. And I was interested in the way the dash was used in English topography - in his work particularly - and I realized there was no compulsion to use those ugly dot-dot curlicues all over the place to designate dialogue. I began to look around, and found writers who could make transitions quite clear by the language itself. I'm a bit of a maverick now. I'm always trying to push the medium.
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I had a deep prejudice against the South. It's taken me many years to get over that, be more open and thoughtful.
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I'm very hard-nosed and cold-blooded and I can walk past a drowning man. If I have someplace else to go, well, tough s**t. I could do that. I can. Have. Sometimes, not because I was callous but had to do it.
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I don't tell everything. I want the reader to have the feeling that maybe they know the whole truth, but they don't.
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My father combined many of the elements that were feared in the culture, but also he was a warm figure, a figure we needed. We depended on him to give us a little bit of strength and courage.
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To be a survivor as an African American man - maybe any man - you have to be pretty tough. Or at least that's what we all understand.
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As a reader, I do not like to have everything handed to me. Because after a while it gets formulaic and I'm thinking, "If this is so thought through, then why do I need to read it. It's done!" It becomes a beach book at a certain point.
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My mother loved my father. From my view, she let him get away with too much. It broke my heart to see him in an old people's home and stop being strong and lose his voice.
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There are still horrible things that go on because of the myth of race, but we don't have to succumb totally.
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Books are an attempt to control something that's uncontrollable. That's one of the beauties of African American life. There was this thing called slavery and adjustments were made. It literally destroyed millions, but it didn't destroy the inner lives of all the people who experienced it. There are still horrible things that go on because of the myth of race, but we don't have to succumb totally. If I had only a negative side of things to present, I think I would have much less of a drive to do it. Because what would be the point?
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If Mumia Abu-Jamal has nothing important to say, why are so many powerful people trying to shut him up?
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That split is inside all Americans. There are contradictions inside all of us about color and race. We've learned to cover them up and live with them and pretend that deep cleavage is not there. We all bear that illness.
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A great artist transforms our world, removes scales from our eyes, plugs from our ears, gloves from our fingertips and teaches us to perceive reality differently.
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We're dreamers and - since we only have one life, and if we screw up we can get in a world of trouble - we're very intense dreamers.
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Hell, I'm going to play pro basketball. I'm going to maybe be famous. I'm going to write books.
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Remember that a book is many drafts - mine certainly are. It's improvisation. It's as much jazz and the way we talk and the way I heard people preach coming up as it is writing.
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I can't pretend that I did one really awful thing - I took a bite out of the apple but now I'm never going to sin again.
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The hardship, the pain, the suffering of my brother and my son in prison, that's absolutely their experience, that's not mine. I don't get any credit for enduring that. I never give myself any credit for enduring that.
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Good writing is always about things that are important to you, things that are scary to you, things that eat you up.
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That's one of the beauties, I think, of African American life. There was this thing called slavery and adjustments were made. It literally destroyed millions, but it didn't destroy everybody and it didn't destroy the inner lives of all the people who experienced it.
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