Francine Prose Quotes
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The mystery of death, the riddle of how you could speak to someone and see them every day and then never again, was so impossible to fathom that of course we kept trying to figure it out, even when we were unconscious.
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I wrote about four novels before I wrote a word of journalism.
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Like seeing a photograph of yourself as a child, encountering handwriting that you know was once yours but that now seems only dimly familiar can inspire a confrontation with the mystery of time.
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I’ve always found that the better the book I’m reading, the smarter I feel, or, at least, the more able I am to imagine that I might, someday, become smarter.
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But beneath it all will run that Sicilian understanding that the underside of joy is grief, that the face of sacrifice and suffering is the dark mirror image of pleasure and enjoyment, that every moment of arrival is to be treasured and enjoyed in the full knowledge that it has brought us a moment closer to the moment of departure.
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With so much reading ahead of you, the temptation might be to speed up. But in fact it’s essential to slow down and read every word. Because one important thing that can be learned by reading slowly is the seemingly obvious but oddly underappreciated fact that language is the medium we use in much the same way a composer uses notes, the way a painter uses paint. I realize it may seem obvious, but it’s surprising how easily we lose sight of the fact that words are the raw material out of which literature is crafted.
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I can no more reread my own books than I can watch old home movies or look at snapshots of myself as a child. I wind up sitting on the floor, paralyzed by grief and nostalgia.
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When we humans speak, we are not merely communicating information but attempting to make an impression and achieve a goal.
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You aim for what you want and if you don't get it, you don't get it, but if you don't aim, you don't get anything.
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Every page was once a blank page, just as every word that appears on it now was not always there, but instead reflects the final result of countless large and small deliberations. All the elements of good writing depend on the writer's skill in choosing one word instead of another. And what grabs and keeps our interest has everything to do with those choices.
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Too often students are being taught to read as if literature were some kind of ethics class or civics class—or worse, some kind of self-help manual. In fact, the important thing is the way the writer uses the language.
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Fact-checking is so boring compared to writing fiction.
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I know a lot of Eastern Europeans, and because of what they have been through and what they have seen, they have an attitude where they are not easily fooled.
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People see everything through the lens of their obsessions.
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So perhaps the correct conclusion is that Green was less attuned to how people sound when they speak - the actual words and expressions they employ - than to what they mean. This notion of dialogue as a pure expression of character that...transcends the specifics of time and place may be partly why the conversations in the works of writers such as Austen and Bronte often sound fresh and astonishingly contemporary.
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What I love is how pissed off Jane Eyre is. She's in a rage for the whole novel and the payoff is she gets to marry this blind guy who's toasted his wife in the attic." -Angela Argo "Blue Angel
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Traditionally, the love of reading has been born and nurtured in high school English class
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With this recitation of paraphernalia and detritus, O'Brien manages to encapsulate the experience of an army and of a particular war, of a mined and booby-trapped landscape, of cold nights and hot days, of soaking monsoons and rice paddies, and of the possibility of being shot, like Ted Lavender, suddenly and out of nowhere: not only in the middle of a sentence but in the midst of a subordinate clause.
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Like most-maybe all- writers, I learned to write by writing and, by example, by reading books.
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If we want to write, it makes sense to read—and to read like a writer. If we wanted to grow roses, we would want to visit rose gardens and try to see them the way that a rose gardener would.
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I think poets are much more dramatic, more theatrical than fiction writers.
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Words are the raw material out of which literature is crafted.
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There are many occasions in literature in which telling is far more effective than showing.
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You can assume that if a writer's work has survived for centuries, there are reasons why this is so, explanations that have nothing to do with a conspiracy of academics plotting to resuscitate a zombie army of dead white males.
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I went through college in the 1960s without having any idea that I was going to have to make a living. When I graduated in 1968 it was quite a shock to find out that there was a world out there and that it wasnt going to support me.
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I work really long days and I work seven day weeks.
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But if I were asked to pick one constant, one quality that seems dependable, immutable, endlessly available, I'd say that it was intensity. For nothing in Sicily seems withheld, done half way, restrained or suppressed. There's nothing to correspond to say, the ironic, the cerebral remove at which a Frenchman might consider an idea or a question, or the Scandinavian distrust of the sloppy, emotive response.
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All the elements of good writing depend on the writer's skill in choosing one word instead of another.
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Reading was like eating alone, with that same element of bingeing.
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A lot of girls who turn into something remarkable start off as irrepressible, confident and a handful.
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