Elizabeth Strout Quotes

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All quotes by Elizabeth Strout: Books Children Writing more...
  • I suspect the most we can hope for, and it's no small hope, is that we never give up, that we never stop giving ourselves permission to try to love and receive love.

    Love  
    Elizabeth Strout (2013). “Abide With Me”, p.209, Simon and Schuster
  • No exchange rate for the confidence of youth.

    Elizabeth Strout (2013). “The Burgess Boys”, p.210, Simon and Schuster
  • Without a doubt my mother was an inspiration for my writing. This is true in many ways, but mostly because she is a wonderful storyteller, without even knowing it.

  • I do reread, kind of obsessively, partly for the surprise of how the same book reads at a different point in life, and partly to have the sense of returning to an old friend.

  • I actually see myself in all my characters. In order to imagine what it feels like to be another person I have to use my own experiences and responses to the world.

    Source: www.bookbrowse.com
  • I would hope that my readers feel a sense of awe at the quality of human endurance, at the endurance of love in the face of a variety of difficulties; that the quotidian life is not always easy, and is something worthy of respect.

    Source: www.bookbrowse.com
  • By the time they were pulling into the parking lot of the A&P, the mood was fading, the moment gone. Amy could feel it go. Perhaps it was nothing more than the two doughnuts expanding in her stomach full of milk, but Amy felt a heaviness begin, a familiar turning of some inward tide. As they drove over the bridge the sun seemed to move from a cheerful daytime yellow to an early-evening gold; painful how the gold light hit the riverbanks, rich and sorrowful, drawing from Amy some longing, a craving for joy.

    Elizabeth Strout (2003). “Amy and Isabelle: A Novel”, p.56, Vintage
  • But what could you do? Only keep going. People kept going; they had been doing it for thousands of years. You took the kindness offered, letting it seep as far in as it could go, and the remaining dark crevices you carried around with you, knowing that over time they might change into something almost bearable.

    Elizabeth Strout (2013). “Amy & Isabelle”, p.260, Simon and Schuster
  • I have to pay attention to what I have felt and observed, then push these responses to an extreme while keeping the story within the realm of being psychologically and emotionally true.

    Source: www.bookbrowse.com
  • You surely know that in the course of a long marriage it is not unusual for a husband or a wife to develop a crush on someone else.

    Source: www.bookbrowse.com
  • My first job was when I was about 12, cleaning houses in the afternoons for different elderly women in town. I hated it.

  • And it was too late. No one wants to believe something is too late, but it is always becoming too late, and then it is.

    Elizabeth Strout (2013). “The Burgess Boys: A Novel”, p.246, Random House
  • Oh that's lovely," said Bunny. "Olive, you've got a date." "Why would you say something so foolish?" Olive asked, really annoyed. "We're two lonely people having supper." "Exactly," said Bunny. "That's a date.

    Elizabeth Strout (2008). “Olive Kitteridge: Fiction”, p.259, Random House
  • I don't especially like to travel, not the way many people do. I know many people that love to go to far-off and different places, and I've never been like that. I seem to get homesick as quickly as a child.

  • The fact of the matter is I always have a really high sense of responsibility to the reader, whether it's a few readers that I get or a lot of readers, which I was lucky enough to get with 'Olive.' I feel responsible to them, to deliver something as truthful and straight as I can.

  • She remembered was hope was, and this was it. That inner churning that moves you forward, plows you through life the way the boats plowed the shiny water, the way the plane was plowing forward to a place new, and where she was needed.

  • You have family", Bob said. "You have a wife who hates you. Kids who are furious with you. A brother and sister who make you insane. And a nephew who used to be kind of a drip but apparently is not so much of a drip now. That's called family".

    Elizabeth Strout (2013). “The Burgess Boys: A Novel”, p.303, Random House
  • People like to think the younger generation's job is to steer the world to hell. But it's never true, is it? They're hopeful and good - and that's how it should be.

    Elizabeth Strout (2008). “Olive Kitteridge: Fiction”, p.80, Random House
  • The key to contentment was to never ask why; she had learned that long ago.

    Elizabeth Strout (2013). “The Burgess Boys”, p.187, Simon and Schuster
  • For years I did most of my reading on the F train between Brooklyn and Manhattan. I had long commutes, and I read tons of books on that train; I loved it.

  • He wanted to put his arms around her, but she had a darkness that seemed to stand beside her like an acquaintance that would not go away.

    Elizabeth Strout (2008). “Olive Kitteridge: Fiction”, p.6, Random House
  • It’s just that I’m the kind of person,' Rebecca continued, 'that thinks if you took a map of the whole world and put a pin in it for every person, there wouldn’t be a pin for me.

    Elizabeth Strout (2008). “Olive Kitteridge: Fiction”, p.236, Random House
  • I love theater. I love sitting in an audience and having the actors right there, playing out what it means to be a human being.

  • Olive's private view is that life depends on what she thinks of as "big bursts" and "little bursts." Big bursts are things like marriage or children, intimacies that keep you afloat, but these big bursts hold dangerous, unseen currents. Which is why you need the little bursts as well: a friendly clerk at Bradlee's, let's say, or the waitress at Dunkin' Donuts who knows how you like your coffee. Tricky business, really.

    Elizabeth Strout (2013). “Olive Kitteridge”, p.64, Simon and Schuster
  • I don't want to live in Maine full time, but the physical beauty is very striking. It is the exact opposite of New York. When you walk through my small town to get a cup of coffee, you bump into five people you know.

    "Elizabeth Strout on 'The Burgess Boys'". Interview with Dylan Foley, www.chicagotribune.com. March 23, 2013.
  • There were days - she could remember this - when Henry would hold her hand as they walked home, middle-aged people, in their prime. Had they known at these moments to be quietly joyful? Most likely not. People mostly did not know enough when they were living life that they were living it. But she had that memory now, of something healthy and pure.

    Elizabeth Strout (2008). “Olive Kitteridge: Fiction”, p.162, Random House
  • I'm writing for my ideal reader, for somebody who's willing to take the time, who's willing to get lost in a new world, who's willing to do their part. But then I have to do my part and give them a sound and a voice that they believe in enough to keep going.

  • The appetites of the body were private battles.

    Elizabeth Strout (2008). “Olive Kitteridge: Fiction”, p.89, Random House
  • If you get divorced in New York, you go into therapy and will talk to anybody you meet on the sidewalk about it.

    "Elizabeth Strout on 'The Burgess Boys'". Interview with Dylan Foley, www.chicagotribune.com. March 23, 2013.
  • In case you haven't noticed, people get hard-hearted against the people they hurt. Because they can't stand it. Literally. To think we did that to someone. I did that. So we think of all the reasons why it's okay we did whatever we did.

    Elizabeth Strout (2013). “The Burgess Boys”, p.261, Simon and Schuster
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Elizabeth Strout quotes about: Books Children Writing