Dmitri Shostakovich Quotes

On this page you can find the TOP of Dmitri Shostakovich's best quotes! We hope you will find some sayings from Composer Dmitri Shostakovich's in our collection, which will inspire you to new achievements! There are currently 32 quotes on this page collected since September 25, 1906! Share our collection of quotes with your friends on social media so that they can find something to inspire them!
All quotes by Dmitri Shostakovich: Running Writing more...
  • In the long run, any words about music are less important than the music.

    Music   Running   Long  
    "Testimony". Book edited by Solomon Volkov, p. 196, 1979.
  • When a man is in despair, it means that he still believes in something.

    Music   Believe   Mean  
    "Testimony". Book edited by Solomon Volkov, transl. by Antonina W. Bouis, New York: Limelight, P. 175, 2004.
  • What can be considered human emotions? Surely not only lyricism, sadness, tragedy? Doesn't laughter also have a claim to that lofty title? I want to fight for the legitimate right of laughter in "serious" music.

    "Sovetskoye Iskusstvo", quoted in "Shostakovich: A Life", transl. by Laurel Fay (2000) p. 77, November 5, 1934.
  • Stravinsky the composer I worship. Stravinsky the thinker I despise.

  • He fell like a chicken into the soup.

    Soup   Chickens  
  • I always try to make myself as widely understood as possible; and if I don't succeed, I consider it my own fault.

    Trying   Succeed   Faults  
    New York Times, February 9, 1942.
  • I write music, it’s performed. After all, my music says it all. It doesn’t need historical and hysterical commentaries. In the long run, any words about music are less important than the music.

    Running   Writing   Long  
  • I live in the USSR, work actively and count naturally on the worker and peasant spectator. If I am not comprehensible to them I should be deported.

    "Shostakovich: A Life". Book by Laurel Fay, p. 55, 2000.
  • Our business is rejoicing, our business is rejoicing.

    Rejoice  
  • I feel eternal pain for those who were killed by Hitler, but I feel no less pain for those killed on Stalin's orders. I suffer for everyone who was tortured, shot, or starved to death.

    Pain   Order   Suffering  
    "Testimony" by Dmitri Shostakovich, translated by Antonina W. Bouis, New York: Limelight, (p. 155), 2004.
  • Music is good, not evil. Poetry is good, not evil. Primitive, but oh, so true!

  • Real music is always revolutionary, for it cements the ranks of the people; it arouses them and leads them onward.

    Translated in Music Journal, p. 37, September, 1965.
  • We should think more about it, and accustom ourselves to the thought of death. We can't allow the fear of death to creep up on us unexpectedly. We have to make the fear familiar, and one way is to write about it. I don't think writing and thinking about death is characteristic only of old men. I think that if people began thinking about death sooner, they'd make fewer foolish mistakes.

  • What you have in your head, put down on paper. The head is a fragile vessel.

    Paper   Vessel   Fragile  
    "Testimony" by Solomon Volkov, p. 229, 1979.
  • Those who have ears to hear, will hear

    Ears  
  • A great piece of music is beautiful regardless of how it is performed.

    Letter to Isaac Glikman, (August 28, 1955) in "Composers on Music" edited by Josiah Fisk and Jeff Nichols, (p. 364), 1997.
  • Football is the ballet of the masses.

  • The real geniuses know where their writing has to be good and where they can get away with some mediocrity.

    Real   Writing   Genius  
    "Composers On Music: Eight Centuries of Writings". Book by Josiah Fisk, p. 355. In conversation with Isaac Glikman (July 4, 1966), January 30, 1997.
  • The best way to hold on to something is to pay no attention to it. The things you love too much perish. You have to treat everything with irony, especially the things you hold dear. There's more of a chance then that they'll survive.

  • People knew about Babi Yar before Yevtushenko's poem, but they were silent. And when they read the poem, the silence was broken. Art destroys silence.

    Art   People   Broken  
    "Testimony". Book by Solomon Volkov, transl. by Antonina W. Bouis, New York: Limelight, p. 159, 2004.
  • The majority of my symphonies are tombstones.

    "Testimony" by Dmitri Shostakovich, translated by Antonina W. Bouis, New York: Limelight, (p. 156), 2004.
  • I think it is clear to everyone what happens in the Fifth . The rejoicing is forced, created under threat, as in Boris Godunov . It's as if someone were beating you with a stick and saying, "Your business is rejoicing, your business is rejoicing," and you rise, shaky, and go marching off, muttering, "Our business is rejoicing, our business is rejoicing.

  • Many consider that Shostakovich is the greatest 20th-century composer. In his 15 symphonies, 15 quartets, and in other works he demonstrated mastery of the largest and most challenging forms with music of great emotional power and technical invention...All his works are marked by emotional extremes - tragic intensity, grotesque and bizarre wit, humour, parody, and savage sarcasm.

  • The most uninteresting part of the biography of a composer is his childhood. All those preludes are the same and the reader hurries on to the fugue.

  • It's about the people, who have stopped believing because the cup of evil has run over.

    "Testimony" by Dmitri Shostakovich, translated by Antonina W. Bouis, New York: Limelight, (p. 8), 2004.
  • I don't think that either self-deprecation or self-aggrandizement is among the defining qualities of an artist... Beethoven could have been forgiven if his symphonies had gone to his head. Gretchaninoff could also be forgiven if his Dobrinya Nikititch went to his head. But neither one could be forgiven for writing a piece that was amoral, servile, the work of a flunky.

    "Composers on Music". Book edited by Josiah Fisk and Jeff Nichols, p. 354, letter to Isaac Glikman (February 26, 1960), 1997.
  • Music is a means capable of expressing dark dramatism and pure rapture, suffering and ecstasy, fiery and cold fury, melancholy and wild merriment – and the subtlest nuances and interplay of these feelings which words are powerless to express and which are unattainable in painting and sculpture.

    Mean   Dark   Feelings  
    Translated in Music Journal, p. 37, September, 1965.
  • If they cut off both hands, I will compose music anyway holding the pen in my teeth.

    Cutting   Hands   Teeth  
    "Shostakovich: A Life". Book by Laurel Elizabeth Fay, p. 92, 2000.
  • A creative artist works on his next composition because he was not satisfied with his previous one.

  • I don't know what will become of this piece. Our brave critics will no doubt charge me with imitating Ravel's Bolero. Too bad - this is how I hear war.

    War   Brave   Doubt  
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