David Ogilvy Quotes About Business

We have collected for you the TOP of David Ogilvy's best quotes about Business! Here are collected all the quotes about Business starting from the birthday of the Businessman – June 23, 1911! We hope you will be inspired to new achievements with our constantly updated collection of quotes. At the moment, this page contains 34 sayings of David Ogilvy about Business. We will be happy if you share our collection of quotes with your friends on social networks!
  • Ninety-nine percent of advertising doesn't sell much of anything.

  • Advertising people who ignore research are as dangerous as generals who ignore decodes of enemy signals.

  • If each of us hires people who are smaller than we are, we shall become a company of dwarfs. But if each of us hires people who are bigger than we are, we shall become a company of giants.

    "Ogilvy on Advertising" by David Ogilvy, (p. 47), 1983.
  • The most important word in the vocabulary of advertising is TEST. If you pretest your product with consumers, and pretest your advertising, you will do well in the marketplace.

    David Ogilvy (1963). “Confessions of an advertising man”, Holiday House
  • Any damn fool can put on a deal, but it takes genius, faith and perseverance to create a brand.

    David Ogilvy (2012). “The Unpublished David Ogilvy”, p.87, Profile Books
  • A good advertisement is one which sells the product without drawing attention to itself.

    David Ogilvy (1963). “Confessions of an advertising man”, Holiday House
  • Talent, I believe, is most likely to be found among nonconformists, dissenters, and rebels.

    David Ogilvy (1963). “Confessions of an advertising man”, Holiday House
  • On the average, five times as many people read the headline as read the body copy. When you have written your headline, you have spent eighty cents out of your dollar.

  • Why should a manufacturer bet his money, perhaps the future of his company, on your instinct?

  • I don't know the rules of grammar... If you're trying to persuade people to do something, or buy something, it seems to me you should use their language, the language they use every day, the language in which they think. We try to write in the vernacular.

  • Every advertisement should be thought of as a contribution to the complex symbol which is the brand image.

    David Ogilvy (1963). “Confessions of an advertising man”, Holiday House
  • You make the best products you can, and you grow as fast as you deserve to.

  • Never stop testing, and your advertising will never stop improving.

    David Ogilvy (1963). “Confessions of an advertising man”, Holiday House
  • If you have all the research, all the ground rules, all the directives, all the data - it doesn't mean the ad is written. Then you've got to close the door and write something - that is the moment of truth which we all try to postpone as long as possible.

  • Never write an advertisement which you wouldn't want your own family to read. You wouldn't tell lies to your own wife. Don't tell them to mine. Do as you would be done by.

    "Confessions of an Advertising Man". Book by David Ogilvy, 1963.
  • Much of the messy advertising you see on television today is the product of committees. Committees can criticize advertisements, but they should never be allowed to create them.

    David Ogilvy (1963). “Confessions of an advertising man”, Holiday House
  • In the modern world of business, it is useless to be a creative, original thinker unless you can also sell what you create.

    David Ogilvy (1963). “Confessions of an advertising man”, Holiday House
  • There is no need for advertisements to look like advertisements. If you make them look like editorial pages, you will attract about 50 per cent more readers.

    David Ogilvy (1963). “Confessions of an advertising man”, Holiday House
  • What really decides consumers to buy or not to buy is the content of your advertising, not its form.

  • Experience has taught me that advertisers get the best results when they pay their agency a flat fee. It is unrealistic to expect your agency to be impartial when its vested interest lies wholly in the direction of increasing your commissionable advertising.

  • Advertising reflects the mores of society, but it does not influence them.

  • Big ideas come from the unconscious. This is true in art, in science, and in advertising. But your unconscious has to be well informed, or your idea will be irrelevant. Stuff your conscious mind with information, then unhook your rational thought process. You can help this process by going for a long walk, or taking a hot bath, or drinking half a pint of claret. Suddenly, if the telephone line from your unconscious is open, a big idea wells up within you.

  • Good copy can't be written with tongue in cheek, written just for a living. You've got to believe in the product.

  • Never write an advertisement which you wouldn't want your family to read. You wouldn't tell lies to your own wife. Don't tell them to mine.

  • Do not address your readers as though they were gathered together in a stadium. When people read your copy, they are alone. Pretend you are writing to each of them a letter on behalf of your client.

  • It has taken more than a hundred scientists two years to find out how to make the product in question; I have been given thirty days to create its personality and plan its launching. If I do my job well, I shall contribute as much as the hundred scientists to the success of this product.

    David Ogilvy (1963). “Confessions of an advertising man”, Holiday House
  • I always said that mega-mergers were for megalomaniacs.

  • I have a theory that the best ads come from personal experience. Some of the good ones I have done have really come out of the real experience of my life, and somehow this has come over as true and valid and persuasive.

  • Hire people who are better than you are, then leave them to get on with it. Look for people who will aim for the remarkable, who will not settle for the routine.

  • It has been found that the less an advertisement looks like an advertisement and the more it looks like an editorial, the more readers stop, look, and read.

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