Cate Blanchett Quotes
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Every director works differently.
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Fashion is one thing, you kind of can change your silhouette and try this and try that. But I think that with skin care, you know anything that you put into your skin goes into your body, so you want to know it's actually good for you. So I think I don't believe in fashion when it comes to skin care if that makes sense.
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If you only exercise your soloist muscles, the other muscles quickly atrophy.
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I'm one of those strange beasts who really likes a corset.
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What I find interesting is this ricochet effect, that the audience perceives the work and then does something with it, throws it back to the world, and there's an ongoing interaction between work and audience, which doesn't belong to the artist anymore - from the moment you release it, it doesn't belong to anybody.
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I think part of the disappointing failure of the political process in America today is that it's asking us to forget countries' historic connections to other countries, or to the laws that have been made. They're willfully asking people to forget their country's history, and focus only on the present. It's bizarre.
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The more you do it, the more you learn to concentrate, as a child does, incredibly intensively and then you sort of have to relax. I remember the first film I did, the lead actor would in between scenes be reading a newspaper or sleeping and I'd think, 'How can you do that?'
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I think referendums are fantastic as long as the question is phrased in a way which is not meant to deliberately confuse or confound people.
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Well, I've never looked upon myself as being a beauty, per se.
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I think often women can feel isolated and feel like they get into a rut and don't quite know how to get out of it.
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I'm so misunderstood!
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I think most beauty tips that work and last are kind of old.
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I believe that a creative career is only as good as the risks that you take with it.
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I'm not sitting on a soapbox telling women what they should and shouldn't do, but I know what works for me.
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When you’ve had children, your body changes; there’s history to it. I like the evolution of that history; I’m fortunate to be with somebody who likes the evolution of that history. I think it’s important to not eradicate it. I look at someone’s face and I see the work before I see the person... You’re certainly not staving off the inevitable. And if you’re doing it out of fear, that fear’s still going to be seen through your eyes. The windows to your soul, they say.
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To become a painter or a sculptor or a graphic designer is quite an isolated way to spend your life.
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I like to put perfume on my pulse points, but I also love the way you can sense it - there is an atmosphere that comes from releasing a scent in to the world - it's a primal thing. I spray around me, not just on me, and it lingers in the room after I leave.
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I love theatre - it's where I started - and I've directed a play myself. I'm not sure if I want to direct a film, but certainly, as an actress, I'm always thinking, 'Surely this must be my last film.'
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I've an enormous respect for my mother who at the age of 39 raised three children, and I grew up with my grandmother in the household. And so it was a really strong household of women - my poor brother! It was great growing up with so many generations of women.
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My husband wasn't put off by it - he thought it was hilarious to see me dressed as Dylan! He didn't particularly want to kiss me with stubble all over my face - it felt a bit odd! But I think he's used to it [the make-up process].
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I think good theaters are really important. They allow you to exist in a space with other people.
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A film is not a documentary. And what's wonderful about film is that it's a real provocation for people. I never, ever see film as being an absolute version of the truth.
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I think when something is apolitical and it gets politicised, then it's incredibly disappointing.
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I've got a funny old face. Someone described it once, and I think they were being kind, as character. But I know what they mean! I've never been that conventional. I suppose maybe it means that my face can look different in different lights, so I just try and sort of keep it simple when I'm going out, to still look like me.
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I don't understand a way to work other than bold-facedly running towards failure.
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It's important to travel and move and have a continual set of experiences so you've got more to feed back into your work. For me, it's a natural thing.
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You can't really achieve anything in three years.
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Working with Martin Scorsese was an absolute minute-by-minute education without him ever being grandiose about it.
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You have to surrender less when you see a film than when you go and see something live.
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Sometimes I think it's so good not to win those things. And, anyway, who wants to peak when they're 28?
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