Cameron Dokey Quotes

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  • Five is for five heartbeats, the length of time it takes to breathe in or out. For that is how quickly a life may change, for better or for ill. The time it takes to make up, or change, your mind.

    Cameron Dokey (2011). “Belle: A Retelling of "Beauty and the Beast"”, p.90, Simon and Schuster
  • Really believing in "once upon a time". Believing that it will draw you in, take you with me to a place you've never been before.

    Cameron Dokey (2013). “Kissed: Belle; Sunlight and Shadow; Winter's Child”, p.583, Simon and Schuster
  • Maybe all young men who love us become knights in shining armor when we love them back.

    Cameron Dokey (2012). “Once: Before Midnight; Golden; Wild Orchid”, p.368, Simon and Schuster
  • My playing had called to another human being at last. Surely, she could be no other than my own true love. Slowly, I got to my feet. Speak to me, I thought. And as if she'd heard me, the young woman's lips parted and she spoke thus: Have you lost your mind?

    Cameron Dokey (2013). “Kissed: Belle; Sunlight and Shadow; Winter's Child”, p.353, Simon and Schuster
  • I will not fail,' the water bearer's daughter vowed. 'But worse than failing is not to try at all. For then there can be no hope of success.

    Cameron Dokey (2008). “The Storyteller's Daughter: A Retelling of "The Arabian Nights"”, p.154, Simon and Schuster
  • Oswald: "All your life" Aurore: "What?" Oswald: "All your life, isn't that what you wanted to know? How long I loved you?" Aurore: "Well, yes, I suppose I did, but that wasn't what I was going to ask just now." Oswald: "I tell you I've loved you since the day you were born, and you tell me you want to know something else. There's no one quite like you, is there, Aurore?

  • I suppose when the things that give you bad dreams live inside you, there's no point in trying to stop them. They're going to come out whenever they decide it is their time. Better just to close your eyes and hold on tight, the faster to get the things you fear to go back to sleep themselves.

    Cameron Dokey, Tracy Lynn, Liz Braswell (2015). “Once Again: Snow; Beauty Sleep”, p.316, Simon and Schuster
  • In spite of myself, I gave a snort. "Just once, I'd like to hear a simple, straightforward prophecy.

    Cameron Dokey, Mahlon F. Craft (2008). “Sunlight and Shadow: A Retelling of "The Magic Flute"”, p.97, Simon and Schuster
  • I have not led an ordinary life, nor a life that would suit everyone. I took great risks, but because I did, I also earned great reward. I found the way to show my true face freely, without fear. Because of this, I found true love.

    Cameron Dokey (2012). “Once: Before Midnight; Golden; Wild Orchid”, p.408, Simon and Schuster
  • All of us show many faces to the world. No one shows her true face all of the time. To do that would be dangerous, for what is seen can also be known.

    Cameron Dokey (2010). “Wild Orchid: A Retelling of "The Ballad of Mulan"”, p.1, Simon and Schuster
  • Sometimes, pushing against change only makes it push back twice as hard. But even the most bitter fruit may contain something sweet at its core. A taste you would never have encountered if you had not been willing to endure the bitter first.

    Cameron Dokey (2009). “Winter's Child”, p.58, Simon and Schuster
  • You must never call your enemy by a name you choose for him." “Instead you must call him by the name he calls himself. What he chooses will reflect his pride; it will reveal his desires. But what you choose to call him will reveal your fears, which should be kept to yourself, lest your enemy find the way to exploit them.

    Cameron Dokey (2010). “Wild Orchid: A Retelling of "The Ballad of Mulan"”, p.7, Simon and Schuster
  • For surely a king is first a man. And so it must follow that a king does as all men do: the best he can.

    Cameron Dokey (2008). “The Storyteller's Daughter: A Retelling of "The Arabian Nights"”, p.95, Simon and Schuster
  • True love comes when it will, not when it's called.

    Cameron Dokey (2009). “Beauty Sleep”, p.30, Simon and Schuster
  • Remember that yours is not the only heart that may be wishing for love.

    Cameron Dokey (2012). “Once: Before Midnight; Golden; Wild Orchid”, p.100, Simon and Schuster
  • Darkness may cover light, but that is not the same thing as putting it out. Whereas, to overcome darkness, all light need do is to exist.

    Cameron Dokey (2011). “Sunlight and Shadow”, p.14, Simon and Schuster
  • What do you know about yourself? What are your stories? The ones you tell yourself, and the ones told by others. All of us begin somewhere. Though I suppose the truth is that we begin more than once; we begin many times. Over and over, we start our own tales, compose our own stories, whether our lives are short or long. Until at last all our beginnings come down to just one end, and the tale of who we are is done.

    Cameron Dokey (2012). “Once: Before Midnight; Golden; Wild Orchid”, p.5, Simon and Schuster
  • In the weeks since I had made the decision to leave my father's house, I had grown up. And I had learned that not every battle can be fought by firing an arrow from a bow. But I would have to face whatever new challenges came my way as bravely as I had faced the Huns. I could not wallow in self-pity, thinking about what might have been. I had to do my duty. It was the only way to stay true to myself.

    Cameron Dokey (2010). “Wild Orchid: A Retelling of "The Ballad of Mulan"”, p.179, Simon and Schuster
  • There is a tale...It tells of the days when a blight hung over our land. Nothing prospered. Nothing flourished. Not even zucchini would grow.

    Garden   Zucchini   Land  
  • How much easier my life would be if I did not love you! I thought. How much less painful, but how much plainer. How much less color there would be in the world.

    Cameron Dokey, Mahlon F. Craft (2008). “Sunlight and Shadow: A Retelling of "The Magic Flute"”, p.97, Simon and Schuster
  • I am free to choose my own actions. Indeed, like everyone else, I must be so. A good act that is compelled is not goodness at all, but merely force.

    Cameron Dokey (2011). “Golden”, p.86, Simon and Schuster
  • That is what love is I thought. A possibility that becomes a choice. A choice you keep making over and over. Day after day. Year after year. Time after time.

    Cameron Dokey (2011). “Golden”, p.161, Simon and Schuster
  • I think the worst part is that when you know you dream another person's dream, you can never truly feel at peace. Never truly trust yourself. If you carry around somebody else's nightmare, who knows what else your insides might hide or when it might come out?

    Cameron Dokey, Tracy Lynn, Liz Braswell (2015). “Once Again: Snow; Beauty Sleep”, p.316, Simon and Schuster
  • A will to be unkind is like a sickness. It can be healed or driven out. But to be unkind because you are thoughtless is the worst kind of blindness: difficult to cure, because you cannot see the fault even as you commit it.

    Cameron Dokey (2011). “Golden”, p.86, Simon and Schuster
  • It took two," I said. "Two different people to make the Heartwood what it is. Two different experiences, grief and joy, combined. True love never has just one face, does it? It must always have two, or it isn't true love at all.

    Cameron Dokey (2011). “Belle: A Retelling of "Beauty and the Beast"”, p.100, Simon and Schuster
  • If you have to ask, you've never been in love. More than that, you've never had your feelings hurt by the one you want to trust and cherish you most of all.

    Cameron Dokey (2011). “Golden”, p.144, Simon and Schuster
  • As long as a thing is unknown, it belongs to us in a way that well-known things do not. For we have the opportunity to fill the empty, unknown spaces for ourselves, and in them there is room for imagination and for hope.

    Cameron Dokey (2011). “Golden”, p.91, Simon and Schuster
  • A story can fly like a bee, so straight and swift you catch only the hum of its passing. Or move so slowly it seems motionless, curled in upon itself like a snake in the sun. It can vanish like smoke before the wind. Linger like perfume in the nose. Change with every telling, yet always remain the same.

    Cameron Dokey (2008). “The Storyteller's Daughter: A Retelling of "The Arabian Nights"”, p.1, Simon and Schuster
  • Over and over, we start our own tales, compose our own stories, whether our lives are short or long. Until at last all our beginnings come down to just one end, and the tale of who we are is done.

    Cameron Dokey (2012). “Once: Before Midnight; Golden; Wild Orchid”, p.5, Simon and Schuster
  • ...to be unkind because you are thoughtless is the worst kind of blindness.

    Cameron Dokey (2012). “Once: Before Midnight; Golden; Wild Orchid”, p.305, Simon and Schuster
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